Posted by Greg Robins on December 22, 1996 at 14:36:24:

I think this is great that this homepage has been developed. Ever since you came on the scene it has been really hard to find out what you are up to. (I don't think anyone could ever accuse you of overexposure).

I like the other guys (where are the girls--?) have enjoyed your music tremendously since 1980. Ride Like the Wind and Sailing came out, but I didn't become hooked until "Never be the Same" was released. Like the other gentleman said, "Every Turn of the World" was my favorite as well. Somehow, my then 3 year old son got his hands on it and put a couple of scratches on the CD. Have never found a copy anywhere since (I keep checking out those bargain bins at KMart with no success). Fortunately, a couple of years ago I paid a King's ransom to have the Virgin Record Store special order both "Best of ..." and "Rendezvous" albums. At least your Best of album has some of my favorite tracks from the "Every Turn..." on it. By the way--I think I paid $28 a piece of those two imports. Now I see Rendezvous for $12. Oh well, the enjoyment I got from it was worth the price.

To show you how much I enjoy your music-- let me quickly share what I've got in the vault.

1. All WB Albums 2.Copy of "Nothing in Common" soundtrack. 3. On Air 4. 1984 Olympic Album 5. And then those listed above.

I do have a few questions (saving some up for 10 years). Please feel free to answer as many or as few as you wish.

1. You recorded a wonderful Christmas song that was on a benefit album a few years back. I lost the cassette and can not find this anywhere. Do you know if there is anything available that has that song on it?

2. Is it my imagination or does the sound quality on Another Page lack something? I mean it is a great album, but I try to crank it up, and it is still very soft.

3. I don't know if this is sensitive info. to ask - but I will ask and find out. How many copies of Rendezvous and Window have sold? I am just sort of curious to know what kind of fan base is still out there. It is always so ironic to have one of your later releases on in my car CD player, and the person will say to me--"Oh that is Christopher Cross, I love his music. I wonder why he doesn't record anymore. I just look at them with that "you dumb...." look. Seems like you maintain a large base of fans in Japan.

4. Is Jody Cortez still a member of your band?

5. Without hopefully opening a "floodgate" -- is there anyway to send you a later release album and have it autographed? Since you are my #1 artist--it is always something that I have wanted to have. Whenever I go to one of your concerts--I stick a CD in my coat pocket on the chance, but it hasn't worked out.

6. Is your oldest son into music?

For anyone reading this in addition to Christopher--it might be fun to share what our top 5 C.C. of all time are. Then after the ball gets rolling, perhaps Christopher and Rob could share what theirs are. It might be fun. Or you might be sitting there saying to yourself, "this guy has way too much time on his hands".

Anyway Christopher, thanks for taking the time to read this and I look forward to any response that I might get. I wish you and your family a wonderful holiday season. I believe I heard on your Howard Stern interview that those are your children on the cover of Window-- they are adorable.

Posted by David Perkins on December 22, 1996 at 15:40:52:

In Reply to: Like a dream come true... posted by Greg Robins on December 22, 1996 at 14:36:24:

: 1. You recorded a wonderful Christmas song that was on a benefit album a few years back. I lost the cassette and can not find this anywhere. Do you know if there is anything available that has that song on it?

I think I know what you're referring to. There are a couple of songs performed my Chris on Mid-Summer Blossoms 3</i? - A Japanese import.
The songs are:
One Day and Christmas Time Forever, both written by Keisuke Kuwata.

Did you *also* know that Chris performed (and, I believe wrote) the theme to the short-lived '93 sitcom, Home Free? I managed to get it on video. By the time I got to record it, however, the line "Hey, LA...." was cut out!
(this was during the time of the 2nd Rodney King verdict). I think they were a bit too overcautious, though!

Greg. Do you know if that 1984 Olympics collection is available on CD?

Posted by Greg Robins on December 22, 1996 at 18:05:19:

In Reply to: Re: Christmas songs/Home Free posted by David Perkins on December 22, 1996 at 15:40:52:

:
: : 1. You recorded a wonderful Christmas song that was on a benefit album a few years back. I lost the cassette and can not find this anywhere. Do you know if there is anything available that has that song on it?

: I think I know what you're referring to. There are a couple of songs performed my Chris on Mid-Summer Blossoms 3 - A Japanese import.
: The songs are:
: One Day and <i.>Christmas Time Forever, both written by Keisuke Kuwata.

: Did you *also* know that Chris performed (and, I believe wrote) the theme to the short-lived '93 sitcom, Home Free? I managed to get it on video. By the time I got to record it, however, the line "Hey, LA...." was cut out!
: (this was during the time of the 2nd Rodney King verdict). I think they were a bit too overcautious, though!

: Greg. Do you know if that 1984 Olympics collection is available on CD?

The Xmas song that I am thinking of, I believe was written by Christopher. Those titles don't ring a bell.
Yeah, I do remember stumbling across that short-lived (if you blinked you would have missed it) series. I believe I remember seeing at the end , that the song was written by Steve Dorff.

I never did find a CD for 1984 Olympics. I got it on cassette.

Posted by Rob Meurer on December 22, 1996 at 19:56:45:

In Reply to: Re: Christmas songs/Home Free posted by Greg Robins on December 22, 1996 at 18:05:19:

Hi, guys ‹ 

I thought I might jump in here and see if I could help set the record straight (so to speak) about a couple of things. We really appreciate hearing from you; itıs great to know firsthand that there are people out there who appreciate what weıve been doing all these years.

The Christmas song is ³The Best Christmas² from the album The Stars Come Out for Christmas, volume III. Steve Dorff wrote the music; the lyrics are by someone named Green (at least I think thatıs what it says; the print on some CDs is too damn small for these aging eyes!). I know nothing about this lyricist, but Iım sure Christopher can fill you in on who he/she is. Itıs a very nice song, definitely one of the high points of the album. Excuse the editorial comment, but: Imagine if you will, on the other end of the quality spectrum, Hank Williams, Jr. moaning The Little Drummer Boy after the twelfth Seconol kicked in, and you get an idea of the range of the material! I have the album on CD, Steve Vaus Productions. I looked in vain for a mention of the year of release. Christopher could probably give you a ballpark year; my guess would be late 80ıs. The CD booklet says, ³for additional copies and information call 1-800-HIT SONG.²

David, Iım sorry, but I think you are mistaken about those Japanese Christmas songs and that Home Free series.

Yeah, Greg, Another Page does sound a little strange. Weıre not crazy about the sound of it ourselves. Long (uninteresting) story.

To date, I think that Rendezvous and Window have each sold about...hmm, letıs see, my mom bought one and oh yeah there was that kid in Yugoslavia...Well, no, actually the numbers are not all that bad, though I couldnıt tell you exactly what they are. We had a hit single in Germany and other parts of Europe with In the Blink of an Eye, so Rendezvous has done pretty well over there. Window seems to be doing lesser numbers. Iıve always felt that if the public actually knows that there is a new album out there to buy, theyıll buy it. Our labels have had some trouble getting the word out through the traditional methods.

Jody did not go on the most recent tours due to scheduling conflicts. We love Jodyıs playing.

Again, thanks for your interest and support, folks. It means a lot to us. And, Greg, Iım wondering where the girls are myself...

Rob

Posted by Christopher on December 22, 1996 at 22:31:36:

In Reply to: Like a dream come true... posted by Greg Robins on December 22, 1996 at 14:36:24:

Greg,Thanks for your wonderful post.Yeah we are very excited about the page in general and most recently "Crosstalk". I noticed Rob responded to some of your questions which is great. I'm hoping for some interaction with he and the other band members. They have all been such an integral part of what I have done and do. Unfortunately Jody's not on the web yet. I know he would enjoy it. Gigi is away but she will be back 12/29 and when she does boy will we ever get some female input. She is a talented, fun woman. I'm with you guys where are all the ladies? It's unusual because topically my demographic is 80% female. Anyway if you don't have any luck with the 800 # Rob gave you let me know and I'll get you a copy of the Xmas CD. The song was as Rob says written by Steve Dorff who I also wrote a few on my CD's with like "Swept Away " from Back of my Mind WB 1988 and "Is There Something" on Rendezvous. It was actually a song Steve and George Green (I think he works with Mellencamp a lot) wrote and Steve had some time left in the studio on a TV date so they put it down and Steve asked me to sing the demo just for fun. When the charity approached me about a song I didn't have one and asked Steve and there you go. It has been on a few others as well and always seems to touch folks. It's a nicely written song. As far as getting your CD signed I would be happy to. Just drop in in the mail to the PO Box address for correspondence on the last page of the Window booklet and we'll get it done. Don't feel too bad about paying so much for those CD's after the 1st of the year my Web CD prices are going up to $18. I'm losing money after shipping and all because I have to buy them from the labels. I really am just trying to make sure the music is available I'm not getting rich off the page sales. Lastly it's interesting you would mention Rob and my favorites because recently we put together a collection from all 6 CD's to date of the things we are most proud of. It's called "A Songwriters Collection" We did it to give to artist friends and we are trying to work out the licensing to be able to sell it on the page so we will see. We are also going to record a live CD very soon with a nice collection hits and favorites from lesser known CD's like BOMM and Rendezvous. It may even be a double. That on will definitely be for sale here. Thanks for the nice comment on the kids they are pretty cute though I'm bias. Howard Stern was fun and it was good exposure. I think as long as you can be honest with your self you do fine with him. OK Greg it's late Sunday night presents to wrap and such. Thanks again for letting us know there are wonderful people out there who are enjoying what we do. Keep in touch. Christopher

Posted by David Perkins to ALL on January 08, 1997 at 23:12:28:

Hi All!
Just wanted to announce that I'll be figuring out the chords to several of Chris' songs and will be posting them on the web. I've just completed "Rendezvous" (the SONG, not the ALBUM!, I'm not *THAT* quick!). Anyway, the appropriate link can be found below:

http://www.best.com/~dhpbear/music/ccross/chords/cd5-1.html

I'll be adding more songs as time permits........

Posted by David Perkins on January 08, 1997 at 23:14:49:

In Reply to: Rendezvous - Chords! posted by David Perkins to ALL on January 08, 1997 at 23:12:28:

No I haven't gone crazy enuf to be talking to myself - just testing the "Optional Link URL:" thingie! ;)

• Chords to the the song "Rendezvous"

Posted by Greg Robins on January 19, 1997 at 09:22:02:

Sorry for the final tally being a couple of days late. We finally had snow in the local So. Calif. mountains and had to take advantage of it. It was nice getting emails from a few of you asking where the results were -- since I promised them on Friday. That tells me that there is some interest out there. I will be retaining your submissions and will reopen this poll at a later date, so that new BB participants can join in and add to the numbers. In the meantime, we have started the "rank the albums" poll. Here are the results of the Top 5 singles poll. I have included all songs that received votes:

SONG Total Points
Sailing 18
Never Be The Same 14
Rendezvous 9
Arthur's Theme 8
Alibi 7
I Really Don't Know Anymore 7
Ride Like the Wind 7
It's You That Really Matters 6
Don't You Say Goodbye 5
All Right 5
Thinkin' 'Bout You 5
Swept Away 4
Poor Shirley 4
No Time for Talk 4
Open Your Heart 3
Been There Done That 3
Every Turn of the World 3
I Will Take You Forever 3
Long World 3
Back of My Mind 2
Talking In My Sleep 2
Never Stop Believing 2
Love is Love 1
Any Old Time 1
A Fisherman's Tale 1
Wishing Well 1
Spinning 1
Deal 'Em Again 1
Charm that Snake 1
Words of Wisdom 1

Thanks for participating!

Posted by Greg Robins on January 19, 1997 at 09:47:49:

I was in my car with my 11 year old son last night when Hootie & the Blowfish's latest single came on the air. My son goes to turn the station, and I asked him why. He said "they're not cool anymore". This is coming from a kid that had to have their albums and wanted so badly to see them in concert. I asked him why, he said because they used to be rock, now they are playing stuff that is all lovey-dovey. I tried to explain to him that it is only one song, and they are trying to show diversity. He didn't get it, so I let it die. But then I started thinking about our favorite artist, Mr. CC. I have one question for all of us: What the hell happened to Mr. CC in the United States? In his interview with Howard Stern that question was brought up during their discussion. I remember the focus of the talk revolved around the fact that all the world heard these beautiful songs over the radio and Mr. CC was not very visible. Everyone seemed to have formed this idea of what he looked like. But then he appeared in real life on the Grammy's and the public appeared to be a little turned off by what they saw. I don't know if I buy that theory. I sure don't have the answer--but think it would be interesting for us to discuss our own ideas. I will start the ball rolling--I tend to think that a group like Hootie... has suffered from monumental overexposure in the past 18 months. With Christopher I think perhaps the opposite was the case.
Sure some people might have been put off by his looks at the Grammy's--but if he had followed up with some exposure following the awards, perhaps they would have found out that there was a real genuine person behind the music. Then he lost all that weight prior to the release of Another Page--but I never saw him anywhere during that album except in concert. So the public never got to know more about him after the Grammy's. I guess what I am saying in a nutshell is "I don't believe he ever seized the moment". In addition, it took a good two years for Another Page to come out, and then I believe around 3 years for Every Turn... to come out, when by that time all knowledge of Mr. CC has gone away. When I saw Christopher interview on the H. Stern show during the release of Window--I thought all right he is going to blitz the media and make everyone aware that he is still working. But besides that and a bit in the paper (I believe Marilyn Smith) that was all I heard or saw of him. I believe as true fans having heard all of his music through the years--would have to agree that he and Rob are making as good of music, if not better than they ever before. So my question to all of us is "What the hell happened?" I personally look forward to reading your responses, because I am as confused as the next guy.

Posted by Steve on January 19, 1997 at 18:55:33:

In Reply to: Open Discussion -- What the hell happened? posted by Greg Robins on January 19, 1997 at 09:47:49:

Way to go Greg for a great "open discussion" question. As a huge Pop N Roll fan from album one, I became disheartened over time as CC faded from the radios. And I agree that his music is still solid. In answer to your question, I think a few things are going on:
1) Changing musical tastes - While the music is outstanding, more music buyers were into this style of music in 1980-1983. As time has gone by, we have seen quite a few musical trends...English pop, Metal, Metal ballads, and now a long long phase of rap. Kids today buy that. Even many adults do, for some reason. In 1985 (Every Turn), they were buying Sting and Phil Collins, in 1988 (BOMM) they were buying Bon Jovi and U2, and now they're buying anything that raps or craps. Trends, however, are just that...they come and go. Good, solid pop historically has always come back into the limelight. I'm glad that CC hasn't changed his music just to conform to these trends. Not necessary.

2) Three to four years IS a long time between albums (especially back in the early 80s). "Arthur's Theme" notwithstanding, the public had a short memory. By 1983, CC deserved a BIG marketing push for "Another Page", but I don't think his publicists kept in mind how quickly people do forget. He didn't get the album and single publicity he needed and DESERVED. I think they gave up on "No Time For Talk" too quickly. That baby was zooming up the charts, then all of a sudden it quickly died in the 30s.

3) Singles choices may have been a big factor. I personally didn't agree with the choice of "Charm The Snake" as single #1 from Every Turn (although I really do like that song). I think that "Every Turn" or "Don't Say Goodbye" would have went further up the charts and helped reestablish Chris. I even feel more strongly about the release of "I Will Take You Forever". I think "Never Stop Believing" or "Swept Away" would have had a much better chance to move. (Personally, I thought Frances Ruffelle's voice was irritating in that tune - no disrespect)

4) The asinine labels the media attaches to popular performers from CC to the Bee Gees to Toto. Once someone is unfairly labeled, such as the "Disco" Bee Gees, "Wimp Rock" Toto, and "Soft Rocker" Christopher Cross, it takes some real (once again) marketing work to overcome. In all three of these cases, the performer in question has had so much more to offer, but again, the public forgets quickly, and the media categorizes unnecessarily.

I don't mean to sound overly critical of the promotional end, but I do think that it is one of the biggest reason Chris' music has been heard less.

Keep it going Chris, things go in cycles.

Steve

Posted by David Perkins on January 19, 1997 at 22:20:14:

In Reply to: Re: Open Discussion -- What the hell happened? posted by Steve on January 19, 1997 at 18:55:33:

Well, for those who thought that maybe *I* had become a monk, here's a new posting! ;)

Steve, you quite literally took the words out of my mouth. The public is MAJORLY fickle when it comes to music. I, for one, NEVER gave up the faith with Christopher and his music, in spite of the 3-year wait between albums. The wait has ALWAYS been worth it.
In this age of 'disposable' music, I've found Chris (as well as the Bee Gees), artists that consistently produce quality material that has 'staying power'.
When I first saw Chris on his network-television debut on The Midnight Special on Labor Day weekend of 1980, I knew I was watching something special. I almost predicted that he would win those Grammies 6 months later!
The ultimate INSULT occurred around Feb of 1992, when Kriss Kross made their debut. I heard and announcement that "Chris Cross" had a new single! I was VERY dismayed when I heard mindless RAP coming out of my radio! ;(
Anyway, Chris, keep up the quality and DON'T change your style to 'fit the times'! PLEEEASE!!!!

Posted by Bill Mack on January 19, 1997 at 23:01:36:

In Reply to: Re: Open Discussion -- What the hell happened? posted by Steve on January 19, 1997 at 18:55:33:

: 1) Changing musical tastes

>>>>> Yeah, this has to be considered a large factor, especially since CC is viewed as a 'single'-oriented artist. Once you venture into the concept-album/art rock groups (ie: Pink Floyd), album sales remain fairly constant even in the absence of a hit single due to the broad base of loyal fans. Venture out of the pop world and things really become interesting (anyone out there have the latest Billy Cobham album... John McLaughlin... Keith Jarrett...that Karlheinz Stockhausen re-issue?)

: 3) Singles choices may have been a big factor.

>>>>> Most definitely. I still remember picking up the 45 of "All Right," but that's the last one that made a significant rise on the charts (if memory serves correctly). Album #2 sure didn't have the impact #1 did commercially (I'm one of those nuts who likes every song on all six albums, so my opinion on the songs that *should* have made it would be a bit skewed).

I do think #3 would have done better had the first single been "Every Turn."

____

I'm confused as well at the lack of commercial success of CC's "later" career (unfortunately that probably refers to every album after #1). Popular opinion is a funny thing. Some of the record companies today spark promotions for the most lifeless music... and this is the music that makes it on the charts. It can be immensely frustrating. There are a *lot* of musicians out there slaving over a mix at 4:00am, playing the clubs, writing song after song, always hoping for that elusive contract. Then you look at a guy like CC who has already proven that he can sell records, and still ends up slipping from the general record-purchasing public.

It's bleak out there. But, CC's latest must be doing at least marginally well. I always see it in the record bins at every store I go to. Sure, there are some phenomenal tunes on that album that should have made it on the charts, but at least the album is selling.

So, what the hell happened???

Well, I did hear "Open Up My Window" following an Acoustic Alchemy tune the last time I was buying groceries. I don't know if that's a good thing or not...

Later,
Bill

Posted by Greg Robins on January 20, 1997 at 08:18:43:

In Reply to: Re: Open Discussion -- What the hell happened? posted by Steve on January 19, 1997 at 18:55:33:

I couldn't agree with you guys more in regards to certain singles selections. I agree that Every Turn should have been selected over Charm that Snake. I can not remember where I saw a particular review, but it read something to the effect that "with Ever Turn... people got tired of it after the first couple of tracks, unfortunately they did not hang on because there was a lot of good, quality music on the B side." And yes Steve I agree with you as well on the selections for BOMM. I would have thought that back then a good song with Christie McVie backing would have helped draw more exposure. I will be interested to see what the rest of the CC BB fans add.
P.S. - Welcome back Dave!

Posted by David Perkins on January 20, 1997 at 09:25:11:

In Reply to: Re: Open Discussion -- What the hell happened? posted by Greg Robins on January 20, 1997 at 08:18:43:

: I couldn't agree with you guys more in regards to certain singles selections. I agree that Every Turn should have been selected over Charm that Snake. I can not remember where I saw a particular review, but it read something to the effect that "with Ever Turn... people got tired of it after the first couple of tracks, unfortunately they did not hang on because there was a lot of good, quality music on the B side."
I saw in an all-too-brief 'review' (actually, a promo of new releases done my a local record-chain). "Chris has taken a new slant to his music. This release is louder than his previous efforts" I guess that was a signal to 'turn it down'? ;)

I don't see how *ANYONE* can get 'tired' of the title track! That DEFINITELY should have been released as a single!

: And yes Steve I agree with you as well on the selections for BOMM. I would have thought that back then a good song with Christie McVie backing would have helped draw more exposure. I will be interested to see what the rest of the CC BB fans add.
I, for one, was hooked on the lead-off cut, "Someday", very upbeat, positive feel to it, as was "All Right" from Another Page.

: P.S. - Welcome back Dave!
THANKS!

Posted by Al Mason on January 22, 1997 at 10:57:52:

Hi Chris; I read an interview with you by Michael Corcoran(Pop Music Critic) from the Dallas Morning News, Jan. 95'. You said that when most reporters call you in Jan or Feb it's to "Dig for dirt on the fate of the Grammy's". I was wondering if this year you have had any experiences with any of these "fine individuals". Thanks

Posted by David Perkins on January 22, 1997 at 11:50:49:

In Reply to: Question for CC/ The Grammy's posted by Al Mason on January 22, 1997 at 10:57:52:

: You said that when most reporters call you in Jan or Feb it's to "Dig for dirt on the fate of the Grammy's".

Well, I don't think one needs to ask Chris on the fate of the Grammies! It's been *painfully* obvious every time I've watched since 1982! ;) Currently, the music-business is in a sorry state indeed!

Posted by Greg Robins on January 22, 1997 at 12:10:55:

In Reply to: Re: Question for CC/ The Grammy's posted by David Perkins on January 22, 1997 at 11:50:49:

It's not painful for me -- I just don't watch it anymore. Except for in 1991, I thought maybe they would bring our "man" back to present for his 10 year anniversary. Boy, was I naive...

Posted by Robbie Morgan on January 25, 1997 at 09:03:05:

In Reply to: The Grammy's and Chris posted by David Perkins on January 22, 1997 at 15:29:19:

: : It's not painful for me -- I just don't watch it anymore.

: I don't watch the whole show myself. I videotape it, then *zap* through it to find the 'good parts'. This usually takes about 6 minutes! ;) The last 'good part' occurred when Billy Joel performed River Of Dreams in 1993!

: It's basically been a downhill slide since 1982.
: Yes, Arthur's Theme *was* nominated that year, and lost to ????? (I can't even remember!)

: One of the lowest points was Milli Vanilli, when they were forced to give back their Grammy. I've always asked myself "if *I* released material like that, would *I* admit to performing it?! ;) "

: :Except for in 1991, I thought maybe they would bring our "man" back to present for his 10 year anniversary. Boy, was I naive...

: Yeah, I watched it then too. Chris has been snubbed by NARAS for *NO* apparent reason! I haven't even seen him *present* an award! (Well, he might have been asked, but turned them down!) I *did* see a brief shot of Chris in the audience at the 1984 show.

I agree on how the Grammy Awards have not been good in recent years to many. I was outraged to see a negative messenger like Alanis Morissette win so many of those awards last year! I was hoping to see WINDOW by Chris win something or another for it's wonderful quality and artistry.

Posted by Christopher on January 25, 1997 at 11:57:41:

This post is in response to some posts by Greg ,Al and others asking about Grammy stuff. It's that time of year again!! No I have not been contacted by the press so far this year. Usually they call me wanting to get my take on the greatly touted "Best New Artist " curse. It is curious how many new artists have struggled after winning that category. Think about it? Ricky Lee, Bruce Hornsby & Tracy Chapman (though she has made a comeback).I believe that this award puts allot of expectations on the artists and the public and media perceptions of an artist, making it hard on that sophomore effort . I won 4 other Grammys as well. I think I'm the only new artist to do that still. Making it even harder for me . Of course it was wonderful and I would not trade them for the world, but it can be bittersweet.
I find that I had a hard time watching the shows in the years following my win. As time has gone on I realize I was just bitter, kind of like and grumpy old man seeing all these youngsters up there while my career was floundering. I began to realize. In 1980 there were probably lots of artists who saw me as the "New kid in town" so all's fair. Now I don't always identify with the artists up for awards, that's because I'm 45 and my tastes are not always going to be contemporary. That's OK life goes on. I must admit when a song like "Gods Song" loses for best song it pisses me off cause I don't agree with the Academies choice.
I have a special place in my heart for the Grammys , Oscars, Tonys, & Emmys. These are the original's ,voted on by your piers. Now awards show are like as Joni puts it "confetti on my TV screen". However while there are too many, to discount say the Peoples Choice Awards would be wrong. While it tends to be very common denominator the votes are cast by the public, unlike the Grammys and others I mentioned. That makes it valid since art is more valid the more it's appreciated.
Lastly someone mentioned if the Grammys had ever asked me to return to present, that's a very good question because it has really hurt me all these years that they have not. I really thought that in 1990 they would. If for no other reason out of pure novelty to have me present the "Best New Artist" award 10 years after my win. One would think, but no. That was very disappointing. My Grammys have changed locations in my home with my moods over the years. At first they were on a dramatic custom made lighted pedestal. Then banished to my closet. Now the "Best new artists" lives with my older son and the others and Oscar are on the shelf in our family room along with my son's soccer trophies where they belong, in perspective. They represent a wonderful accomplishment and recognition and a great time in my career, but the reason I won them is the music ,which has been my love and livelihood for over 30 years and will continue to be my pursuit till I'm gone. To do the best work I can.
Thanks CC

Posted by David Perkins on January 25, 1997 at 15:05:00:

In Reply to: The Grammys posted by Christopher on January 25, 1997 at 11:57:41:

Thanks, Chris for those thoughts. It's really great that an artist takes the time to talk to his fans! I had a few questions and opinions.

: It is curious how many new artists have struggled after winning that category. Think about it? Ricky Lee, Bruce Hornsby & Tracy Chapman (though she has made a comeback).

I follow Bruce Hornsby quite closely. A reviewer even called him "The Christopher Cross of the 90's!" Because he releases an album about once every 3 years. He is one of the few real 'musicians' (a great keyboard-player), in the business today!
As far as Tracy Chapman goes, Her "Give me one reason" is a total BORE (the same riff, over and OVER!) (oops, even *I'm* getting bitter! ;) )

I must admit when a song like "Gods Song" loses for best song it pisses me off cause I don't agree with the Academies choice.

Who performs "Gods Song"?

: Lastly someone mentioned if the Grammys had ever asked me to return to present, that's a very good question because it has really hurt me all these years that they have not. I really thought that in 1990 they would. If for no other reason out of pure novelty to have me present the "Best New Artist" award 10 years after my win. One would think, but no. That was very disappointing.
If they *did* ask me to present, I'd simply ask them "What TOOK you so long?!"

: the reason I won them is the music ,which has been my love and livelihood for over 30 years and will continue to be my pursuit till I'm gone. To do the best work I can.

Don't *EVER* give up, Chris!

"Will there be time enough for me before I go"

Posted by CC to Dave Gods Song on January 26, 1997 at 10:25:42:

In Reply to: Yay, Chris!/questions posted by David Perkins on January 25, 1997 at 15:05:00:

Dave, Gods Song was written by Eric Bazzrien but performed and recorded by Joan Osborne. Thanks for your reply and all your support.

Posted by David Perkins to CC, Rob, Greg on January 28, 1997 at 09:58:42:

I just wanted to let everyone know that I will be attending the Studio City concert on Feb 16th. Yesterday, I called the 818-769-5713 number (plug!, plug!) to order a ticket for the concert.

This morning, I got a return call from who else, Rob's wife! She seemed to be *surprised* that I knew who Rob was! I told her that I've been 'following' Chris and his band ever since 1980.

I'd like to be included in this possible brunch that, I believe, Greg is trying to get together.

Hope to meet some of you during my visit.

Posted by David Perkins on January 28, 1997 at 10:00:52:

Ooops! I left this out of my previous post!

A couple of nights ago I dreamt that I was listening to one of Chris' *new* songs on the radio. If only I had a 'phonographic' memory! ;)

Posted by Greg Robins on January 29, 1997 at 07:44:11:

Something interesting appears to be happening on a consistent basis in the Tower and Virgin record stores that I check out every week or so. The "green" seems to be selling at a relatively strong pace. I always check out CCs bin to see what kind of inventory they are putting in there. Both stores seem to re-stock with 5 green albums, 1 "Another Page", and 1 or 2 Windows. Consistently I will go in about 7-10 days later and the greens are almost always out of stock. AP may or may not be there, and Window is still there. So as loyal fans and friends of CC, I suggest the following. When going to you local retailer, take a roll of double sided tape. Slap a slice and put it on the back of the green album, and stick Window behind it. That way the customer will take note of the Window album, and you can feel good knowing that you helped out that customer. Because if that person likes the green album, you know they will love Window. So you did your good deed for the day! And if the police want my name and number feel free to give it to them. It is Herm Wittingham and I live in Barstow, California. My number is listed.

Posted by David Perkins on January 29, 1997 at 09:54:47:

In Reply to: The "Green" Album posted by Greg Robins on January 29, 1997 at 07:44:11:

: That way the customer will take note of the Window album, and you can feel good knowing that you helped out that customer. Because if that person likes the green album, you know they will love Window.

Well, if you want to be technical, Window is *also* green! ;)

Posted by Herm from Barstow on January 29, 1997 at 10:05:04:

In Reply to: Re: The "Green" Album posted by David Perkins on January 29, 1997 at 09:54:47:

Dave, then I think you have come up with something. Take the two CDs, use the double sided tape. It is now known as the CC "Mean Green Double CD". Take a pricing label with you and slap on a $29.00 price tag. And we have it made! And CC will love us for it! Ch-ching!!

Posted by Al Mason on January 29, 1997 at 11:27:28:

In Reply to: Re: The "Green" Album posted by David Perkins on January 29, 1997 at 09:54:47:

Greg: Didn't I see you last night on an episode of "Real Life Stories from The California Highway Patrol", luckily for CC's sake they did not catch you! Actually I think we should all make it 3 Cd Box Set, and tape them all together!

Posted by Greg on January 29, 1997 at 11:43:09:

In Reply to: Re: The "Green" Album posted by Al Mason on January 29, 1997 at 11:27:28:

: Greg: Didn't I see you last night on an episode of "Real Life Stories from The California Highway Patrol", luckily for CC's sake they did not catch you! Actually I think we should all make it 3 Cd Box Set, and tape them all together!

Al, how the hell did you pick me out on that show. I mean you are awesome--you have only seen one picture of me! Or was it that you noticed the flamingo logo on the side of the car! And you assumed it was me.

Posted by howard on January 29, 1997 at 12:36:21:

In Reply to: Top 5 Singles Polls Results! posted by Greg Robins on January 19, 1997 at 09:22:02:

: Sorry for the final tally being a couple of days late. We finally had snow in the local So. Calif. mountains and had to take advantage of it. It was nice getting emails from a few of you asking where the results were -- since I promised them on Friday. That tells me that there is some interest out there. I will be retaining your submissions and will reopen this poll at a later date, so that new BB participants can join in and add to the numbers. In the meantime, we have started the "rank the albums" poll. Here are the results of the Top 5 singles poll. I have included all songs that received votes:

: SONG Total Points
: Sailing 18
: Never Be The Same 14
: Rendezvous 9
: Arthur's Theme 8
: Alibi 7
: I Really Don't Know Anymore 7
: Ride Like the Wind 7
: It's You That Really Matters 6
: Don't You Say Goodbye 5
: All Right 5
: Thinkin Bout You 5
: Swept Away 4
: Poor Shirley 4
: No Time for Talk 4
: Open Your Heart 3
: Been There Done That 3
: Every Turn of the World 3
: I Will Take You Forever 3
: Long World 3
: Back of My Mind 2
: Talking In My Sleep 2
: Never Stop Believing 2
: Love is Love 1
: Any Old Time 1
: A Fisherman's Tale 1
: Wishing Well 1
: Spinning 1
: Deal 'Em Again 1
: I never had anything happens so fast I took one look than I shattered like glass I guess I let it show

Posted by Christoffer Käraleva on January 30, 1997 at 14:29:43:

If I wasn't mistaken, Chris, did you sing the theme song for the film FRIED GREEN TOMATOES in 1991? I know your voice anywhere. What other films did you sing theme songs for besides ARTHUR (1981)? I have another question as well. What was the chart status of WINDOW? It seemed popular when it was released, but yet I don't know a lot of people who know you, here in the 1990s. I know of a rock/dance show called ETCETERA that was going to use "Save Your Sadness" last year. Thanks for the inspiring song, a Grammy winner in my mind.
PS: check out the gatherings for Agnetha above

Posted by David Perkins on January 30, 1997 at 16:09:05:

In Reply to: Christopher songs in films posted by Christoffer Käraleva on January 30, 1997 at 14:29:43:

: If I wasn't mistaken, Chris, did you sing the theme song for the film FRIED GREEN TOMATOES in 1991? I know your voice anywhere.

Nope, that was sung by Grayson Hugh. It was played during the closing credits. The name of the song is "I'll Remember You" and it's from his 2nd album, "Road to Freedom"
Grayson was also my sister's high school sweetheart at Hall High in West Hartford, CT.!

However, Chris *did* perform the theme to the short-lived, early-1993 sitcom, Home Free.

Chris also performed the theme to 1985's "Nothing In Common"

Posted by CC on January 30, 1997 at 22:37:45:

In Reply to: Re: Christopher songs in films (and TV) posted by David Perkins on January 30, 1997 at 16:09:05:

David, Did I perform Home Free What is that??? CC

Posted by Greg Robins on January 31, 1997 at 06:48:08:

In Reply to: Re: Christopher songs in films (and TV) posted by CC on January 30, 1997 at 22:37:45:

: David, Did I perform Home Free What is that??? CC
OK folks this is where it gets interesting. David, I do remember this show and I thought I heard CC signing the title song. I do not remember if the name of the show was Home Free, but I do remember watching the credits and it said sung by CC, written by S. Dorff. I believe it was a summer fill-in on ABCs TGIF (family oriented shows).

Posted by David Perkins on January 31, 1997 at 11:04:53:

In Reply to: Best Of Christopher Cross CD Located posted by Greg Robins on January 31, 1997 at 07:39:32:

: I stumbled on a CD online store that has the CD "Best of Christopher Cross". It is called Music Boulevard and their address is www.musicblvd.com.
: Get a load of this... They rate each of his releases.
: CC (Green album) "Best of Genre"
: Another Page "Good"
: Window "O.K."
: Are they listening to these same Window CD as we have?

Don't get me started on this, Greg! Here is the *faulty* review of Window!

All-Music Guide Rating: Recommended with reservations. An OK or fair CD.
Review: From the All-Music Guide: Christopher Cross made a belated comeback
in 1995 with Window . Cross hadn't made any great changes to his adult
contemporary ballad stylings, although the record certainly bears the stamp of
mid-'90s production techniques. Perhaps he would have been able to re-enter the
charts if he had been able to come up with a selection of material that was
melodically engaging, but most of the record is devoid of anything resembling
hooks; instead, it relies on its production to make an impact. As a result, Window
is a bland collection of faceless, mellow pop that works only as background music.
Stephen Thomas Erlewine -- AMG

Been There Done That and Open up My Window *hardly* qualify as 'background music'!!!

My only response to this is:

"There has never been set up a statue in honor of a critic" - Jean Sebelius

or, my favorite:

"Asking a working (song)writer what he thinks of critics is like asking a lamppost what it feels about dogs" - Christopher Hampton/John Osborne

Here is the link to that review:

Posted by David Perkins on January 31, 1997 at 11:09:35:

In Reply to: Review of Window posted by David Perkins on January 31, 1997 at 11:04:53:

• Review of Window

Posted by CC on January 31, 1997 at 13:35:55:

In Reply to: Review of Window posted by David Perkins on January 31, 1997 at 11:04:53:

It never ceases to amaze me how these people come up with these comparisons however I guess it tells us a great deal of what happened to my career. If they perceive me as not having any more artistic merit than Captain and Tenille then no wonder they write me off. We will just have to hope they hear "Rendezvous" someday and really listen. I'm scratching my head so hard that what little hair I have left is going to fall out!!!! Love and hope CC
P.S. The quotes were perfect!!!

Posted by Rob on January 31, 1997 at 18:12:25:

In Reply to: Review of Window posted by David Perkins on January 31, 1997 at 11:04:53:

Oh, gee -- Where do I begin?

In the first place, this review cracks me up because we tried so hard -- and, I feel, succeeded -- to UNDERproduce the Window album! The two tracks that Dennis produced (Window and "Been There") are the only ones that remotely resemble "mid-'90s production techniques." I guess I missed all those smash 90s top-ten hits that contain bassoon, dulcimer, steel guitar, and viola! It is also a shame that "Thinkin Bout You," "Wishing Well," and "Open Up My Window" (et al.) have no hooks!

What are ya gonna do? The quotes about critics are wonderful; I had not been familiar with Sibelius'. (My daughter goes to sleep for her nap almost every day to the slow movement of his third symphony.)

As for the business about The Captain and Toenail, etc.: Critics AND radio decided a long time ago that Christopher was Engeldink Humperbutt, and misconceptions die hard (when they die at all). Meanwhile, we continue to work hard at improving our craft.

In a nutshell -- FUCK 'EM!

Thank you and good night.

Posted by David Perkins on January 31, 1997 at 19:33:46:

In Reply to: Excuse me while I bang my head against the wall... posted by Rob on January 31, 1997 at 18:12:25:

: Oh, gee -- Where do I begin?

: In the first place, this review cracks me up because we tried so hard -- and, I feel, succeeded -- to UNDERproduce the Window album! The two tracks that Dennis produced (Window and Been There Done That) are the only ones that remotely resemble "mid-'90s production techniques."

: I guess I missed all those smash 90s top-ten hits that contain bassoon, dulcimer, steel guitar, and viola!

Hehehe!

: It is also a shame that Thinkin Bout You,Wishing Well, and Open Up My Window (et al.) have no hooks!

Not to mention "Been There Done That". I was disappointed that there was absolutely NO hook to be found 2:54 into the song! ;) (tongue FIRMLY planted in cheek!)

This is one of the main problems with most of pop-music today. I remember the days when a song *had* to have at least one hook to be a hit. I've heard SO much supposedly popular music lately (i.e. played over and over) that is totally LIFELESS!

: What are ya gonna do? The quotes about critics are wonderful;

Those are taken from a book of (mostly) Jewish humor:

Leo Rosten's Carnival of Wit

: As for the business about The Captain and Toenail, etc.: Critics AND radio decided a long time ago that Christopher was Engeldink Humperbutt, and misconceptions die hard (when they die at all).

They (critics) tend to lump all 'non-rock' pop music into this nebulous 'soft-rock' category!

Meanwhile, we continue to work hard at improving our craft.

Don't give up! (I believe I've said this many times before!)

I look forward to seeing, and possibly meeting, you guys at the Feb 16th concert!

David

Posted by Greg on February 01, 1997 at 05:55:49:

In Reply to: Review of Window posted by David Perkins on January 31, 1997 at 11:04:53:

This horse is on life support, so I will stop beating it after this. But I have to share something with you. I went to Music Boulevard to look up the new Pat Boone CD to see if they had graded it. It has not been graded yet. So I scrolled down to the "if you like this artist, then try these" section. It did not list CC, but it has virtually the same list of artists as CC comparison list does. That's siiiiiccccckkkkkk...

Posted by Greg Robins on February 01, 1997 at 12:30:15:

...on making this an extremely interesting board to participate in. Several of us fellow fans have been on the board since the first week in the middle of December. And it is fantastic to see the board developing it's own personality. The questions, comments and feedback between us fans has really taken the board to new heights. And to have Christopher and Rob jump in and interact from time to time really adds icing to the cake. Where else can you go on the Web and read the insights of two great artists like this.
We should also thank Christopher for going to the large expense of putting this web site up. I am sure of all us would agree, that prior to this finding out anything about our favorite musician CC, was next to impossible.
We must always remember that CC doesn't make any money on this board, other than a little bit by selling us the CDs (so buy more!). I am sure he must feel very proud of the response that he has received. And I am sure that this has inspired both Christopher and Rob tremendously while they work on the upcoming CD.
I just want to thank you all for making this a very interesting and fun place to visit.
P.S. - when the time is right, and Rob and Christopher come up with the right music for a duet. I am sure the first person that will pop into their head is Agnetha! The passion you folks have shown about your love for Christopher and Agnetha has been incredible!
Thanks...

Posted by Rob on February 02, 1997 at 07:30:30:

In Reply to: Re: Christopher songs in films (and TV) posted by Greg Robins on January 31, 1997 at 06:48:08:

Really?

Posted by Christopher on March 13, 1997 at 13:28:37:

In Reply to: "Songwriter's Compilation" posted by Cassie on March 13, 1997 at 10:55:06:

Cassie, There is no reason why radio cant play these cuts from the SWC, as a matter of fact that would be wonderful. Radio play is kind of like press, you know what they say any press is good press. Thanks for posting. CC

Posted by Christopher on March 19, 1997 at 18:14:56:

In Reply to: I'm also new & amazed posted by Patrick on March 19, 1997 at 04:52:40:

Patrick,
Welcome and thank you. Yes I was disappointed in the lack of success of ETOW it was by the way the one CD of mine Rob was not involved in. Not that that is what I think went wrong but in some ways the CD was a departure from what I do . My producer and record company WB thought I should try and reach a more rock audience and radio. It really did not work , the AC stations would not touch it, and my image was too soft for rock stations.
McDonald and I are great buds and the thing has and always will be if the song calls for his voice I'm sure he will sing but it has to make sense musically for me to use another artist, not just so we can see there name in the credits. Thanks again for you interest keep in touch.

Posted by Teddy on March 20, 1997 at 07:39:39:

Hi Christopher,

Last weekend, I played some of your albums with a couple of colleague musicians/friends of mine. After having enjoyed the music, we started to discuss songwriting in general and your songs in particular. I'm afraid we came up with some questions:

On your first two albums I noticed you wrote all the songs by yourself. From the third on you started to work with other people and hardly ever wrote a song alone since then. Was there a specific reason for this or did it just feel right? Maybe you could say something about the way you and Rob write songs together. Does one of you start with the basic idea and the other jumps in when the song is more or less there or do you work really close together from the start. Some of your songs sound so natural ( like e.g. Thinking about you ) that I get the feeling you woke up, heard the song in your head and wrote it the next hour.

I was also wondering if writing together with a keyboard player changed your songwriting a little. For instance the Am7+/Bm7+ chords in the verse of -Been there- are chords keyboard players usually seem to play more often than guitar players. You also seem to have abandoned your "LA chord changes" ( B/E E- B/C# C#m etc.. ) like in songs as - All Right, Never be the same and more recent Blink of an eye- a little ( though I must say I like them very much)

If you could find the time, between the sessions for your new album, to tell a little more about your songwriting it would be great !

Thanks in advance

Teddy

Posted by Morten Hansen on March 20, 1997 at 12:22:23:

Hi Christopher,

Thanks again for a great web site! I have a couple of questions. I saw a post a while ago where you mentioned that Jeff Porcaro was your favourite drummer. A lot of other great musicians have also played on your albums...Jay Graydon, Larry Carlton, Abe Laboriel, Robbie Buchanan, Larry Williams... So I'm wondering - who are your favourite musicians? Any particular performances...solos, for example...on your albums that you find especially memorable? And what about musicians you haven't played with but would like to?

Also I'm wondering - what are your favourite albums (by other artists)?

Oops...2 questions turned into 4! Hope you don't mind! Thanks in advance.

Best regards,
Morten Hansen

Posted by Christopher on March 21, 1997 at 21:29:25:

In Reply to: Questions for CC posted by Morten Hansen on March 20, 1997 at 12:22:23:

Morten,
Yeah we've had some wonderful players grace the records over the years. Memorable performances would be numerous but a couple are Omartian's piano solo on Sailing and Joel Peskin's sax solo on Deputy Dan.
As far as people I would like to work with. We have gradually moved away from the LA session mentality. We tend to use our own band and electronics because of the control it offers over creativity and cost. We have always wanted to have Joni Mitchell do something on our music it almost happened on BOMM maybe we can work it out on the new one. McCartney playing bass would be a gas.
I like a lot of the same artists I've liked for years I will list a few.

Influences:

Joni Mitchell
Randy Newman
Dylan
Brian Wilson
Lennon & McCartney
Steely Dan
Todd Rundgren

Fav's:
Tom Petty
Shawn Colvin
Suzanne Vega
Indigo Girls (Emily's songs)
Sting
Blue Nile
Bryan Ferry
Crowded House
Prince

There is not much new that I find I listen to for long. Alanis is cool and there is a new guy Duncan Shiek but I find day to day I go back to my favs'.

Have a good one. CC

Posted by Christopher on March 21, 1997 at 22:25:12:

In Reply to: Songwriting posted by Teddy on March 20, 1997 at 07:39:39:

Teddy,
Good question. Songwritng as you may have discovered is an illusive thing to describe. In the seed stages I think to come up with good songs that are unique (a big key in my book) you have to be gifted in that area. Once the seed is there then you become more of a craftsman.
In the case of my songwriting after Another Page I got a little intimidated by my own success. I looked for a distraction or excuse to keep from facing it so I raced cars. I had a lot of pieces to songs but lacked the confidence to finish them ,mostly when it came to lyrics. I knew I had more to say and wanted to express different things having grown some but I was unsure about my ability especially when I listened to Joni and Dylan.
It may seem odd, one would think that after Grammy's and the like, self confidence would not be an issue but if you get honest answers from most good songwriters it just gets harder with each song because you get more self critical.
So I turned to some good lyricist's John Bettis and Will Jennings. Rob and I were out of touch during that 85-87 period , rare in our 30 year friendship, also we had never been songwriting partners in fact Rob had suffered from his own writing demons and had to date not written much. So I made ETOW and from that point on I continued to collaborate for several reasons I believe. Still some paranoia about writers block also I just find I don't tend to finish songs without someone pushing me. On BOMM I wrote "Just one look" alone which is one of Rob's fav's. There have been others along the way but once Rob and I began writing together which I think was a marriage destined to be after all the years, the songs just seemed to be that cut above what they would have been alone.
As far as chord progressions go , it is just that, a progression of growth and exploration. I asked Paul Simon how he managed to keep writing such great songs he said "Diminished chords". While I don't use many of them I do try to stretch. I also owe a lot of that harmonic growth to Joni Mitchell my #1 influence, always a pioneer in unconventional guitar voicings.
You asked as well about process. The song seeds musically are mine. I think Rob out of respect for my career as an artist wants it that way. That's what he was drawn too in the first place back in Texas. I show Rob the song in a very rough demo form or on guitar and he will help me refine them. Lyrically Rob is amazing he is a true genius with words. More and more the song concepts are his and while we sit and slave over a hot computer , at the end of the day even though nobody's counting he's done more of the work with the lyric. The important thing is that however we get there that we have this sixth sense about the music that's wonderful and I treasure it more with every song. He is my best friend and has helped me and my music grow. Take care

Christopher

Posted by David Perkins on March 25, 1997 at 18:53:34:

Hi All,
I just wanted to let you know that I've made some
improvements to the 'Studio City' portion of my "unofficial" CC page.

1. When I added borders to the pix, I forgot to re-size
them! In the photo of Greg, Chris and Al; Chris looked like he had a bee-sting in his left eye!

2. I re-scanned the 'web card' so that it's readable!

3. At the bottom of that page is a pic of a certain woman that 'haunted' this site a while ago!

this page is found at........

• Studio City Concert - Feb 16, 1997

Posted by Christopher on April 06, 1997 at 16:18:51:

I saw that Rob had given Greg some info about the progress of the new songs and it seemed to be of interest so I thought I would share a little bit about the process we go through in working on the CD.
Once the songs are written which is the hard part. I will record my Acoustic guitar parts along with a simple percussion part using a computer sequencer and digital samplers. I then sing what we call a scratch vocal track to the guitar and drum loop. That vocal track while being the correct melody is a scratch by virtue of the fact that it may contain flaws and may change arrangementally as we work, so we don't do the final vocal till we are sure of where we are going. Once we have the acc.gtr/vocal/drum loop we take the tape our friend Scott Frankfurt who is a very talented "Programmer" . Scott will then once again using a sequencer and samplers create drum and keyboard parts to compliment the gtr/vocal. During this part Rob and I spend time to make sure Scott and we are in sync creatively, but the more time we work together the more his instincts are right on. We have no aversion to real musicians , however we are finding that the sound we are getting is what we want and we have more control.
After Scott puts his parts on tape I bring them back home to my studio and do the final vocals and background vocals as well as electric guitar. At this point we may add a soloist which is the case on "Dream Too Loud and "In a Red Room" we will use some wind instruments. Once that is done we take one last listen to see if we need any "Sweetening" as we call it, that might be strings . We will go back to Scott for that if needed then back to my studio to mix the songs. We are planning on mixing the first 4 tunes on the 26th of April we will finish them May 1st and soon after Greg will put some 30 second samples of them on the BB. Rob and I are very excited to share them with yours stay tuned. CC

Posted by David Perkins on April 06, 1997 at 20:50:42:

In Reply to: Recording Process posted by Christopher on April 06, 1997 at 16:18:51:

Thanks, Christopher, for letting us in on what goes on behind the scenes! I've always been fascinated by the recording process (as well as the music!)I'm always amazed to hear what *great* sounds that a few talented musicians, a programmer, and engineer are able to generate and the ability of those sounds being enjoyed for many years to come!

One question: who will be involved in the mixing session on April 26th?

I'm waiting with baited breath for this release! The day of a Christopher Cross release has always been a *special* day, in my book!

Posted by Rob on April 06, 1997 at 22:23:37:

In Reply to: Re: Recording Process posted by David Perkins on April 06, 1997 at 20:50:42:

Doug Rider will be the mixdown engineer, and Christopher and I will oversee the mixes.

Posted by CC on April 06, 1997 at 22:25:40:

In Reply to: Re: Recording Process posted by David Perkins on April 06, 1997 at 20:50:42:

Dave, I will be using an engineer from LA who has mixed a lot of Rendezvous and Window named Doug Rider. The main recording engineer is a guy named Mark Casselman who is my home studio guy. He will assist Doug as well. I have a digital automated console so recalling and making subtle changes later is a breeze The mixing board is total recall it will take Doug about 1 day per song however he could remix one song in about an hour if we decide to say make the vocal louder if we feel after living with it it needs changing. The mixing process it tedious so it's mostly Doug , Rob and I check in along the way then come in for a final listen to tweak it. Thanks CC

Posted by Matthew Burge on April 20, 1997 at 13:53:31:

Hello...

I've been lurking for a while, but I'd thought I just write a little bit.

I would just like to say that I've really become a fan. I grew up with Sailing, Ride Like the Wind, All Right and Arthur's theme being played constantly, and if fact, even now, they get a lot of airplay here, which is great.

I bought the debut album, but that was all. A couple of years ago I was picking up some records in a store, and grabbed Every Turn of the World. Anyway, I really came to like it, so I went back and picked up Another Page. Anyway, I've played them both to death over the last few years, and it's frustrating to try to find these albums on CD. Glad to know we can get Back of My Mind and Every Turn on CD now.

I would just like to say that I really find Christopher's music refreshing in a time when I find much of anything knew that I really enjoy. I play all the albums often. I've been playing Window a lot recently.

Anyway, just would like to extend my thanks to Christopher all who have contributed to his career over the years. I really do appreciate all the great music over the last 17 years. Keep up the GREAT work, and I look forward to the new album.

Best Regards from a big fan,

Matt

P.S.: What record label will the new album be on?

Posted by Christopher on April 21, 1997 at 18:38:52:

In Reply to: Christopher's Music posted by Matthew Burge on April 20, 1997 at 13:53:31:

Matt ,
Thanks for a your encouraging words. In spite of the lack of exposure of the last few albums we are as enthusiastic as ever about this new project and very thankful to have this web page to feed that fire. We are working on completing these first 4 songs to have something to "Shop" as they say for a US company but as Greg said we don't want just some money we want a company that's going to let people know there is a new album out. Stay in touch and we will keep you informed about our progress. CC

Posted by Jared Manhein on April 22, 1997 at 12:41:52:

Dear C.C.
I tried to submit one of these earlier
but I do not think it did it right. I am 16 and love
your music, it has meaning unlike all the music
today ( with a few exceptions). Anyway what inspired
Sailing, Never be the same, and Arthur's theme? They are
great songs with a lot of feeling!!!!

Posted by Greg on April 22, 1997 at 15:01:14:

In Reply to: Info posted by Jared Manhein on April 22, 1997 at 12:41:52:

Jared, hopefully Christopher can fill you in on the background of Sailing and Never be the Same.
But I had to laugh when I saw you ask about Arthur's Theme. This was the title song for a very popular movie in 1980/81. That means right around when you were born! It was a joint effort with Christopher, Burt Bacharach, Carol Bayer Sager and Peter Allen. If you have not seen the movie, I recommend you finding a copy on video. It was a very funny movie--and it will sort of explain the song.

Posted by Greg Robins on April 25, 1997 at 09:04:11:

Can somebody with some expertise in this arena share with us the correct terminology for the following:
1. When discussing the new release do you refer to it as an album, CD or what? I find myself a little confused when I go to write things about it.
2. I also find that I have the same confusion when it comes to single, song, cut, etc.
If one of you could help clear this up for me, I would appreciate it. That way I could finally get some sleep after worrying about this important subject for about 3 weeks!:)

Posted by Rob on April 25, 1997 at 09:12:32:

In Reply to: Music Terminology posted by Greg Robins on April 25, 1997 at 09:04:11:

Please always refer to this project as an "album". People tend to confuse "record" with "album", and think that's it wrong to talk about
albums these days since records are hardly made anymore. But all formats - records, tapes, and CDs - are albums, collections of songs.
Record albums, tape albums, CD albums, etc. It's just a formality, but
I hear the confusion in people's voices when they ask me, "When is your new, uh, CD coming out?" I don't want to contribute to the demise of a perfectly descriptive word!
Song, cut, and track can often mean the same thing - a particular song
on the album. But let me see if I can differentiate.

SONG is song; it refers to the actual piece of music with words, but not necessarily the recording of same.

CUT (as a noun) describes a particular recording on an album, but
usually after the fact; e.g., "My favorite cut on that album is..." I don't think I'd use the word CUT while the recording is in progress. Recording itself is called "cutting", probably from the earliest days of recorded sound, before the use of tape, when the music was actually cut into an acetate platter at the time of the recording.

TRACK means about a jillion different things in the process, but can be interchangeable with CUT in the after-the-fact sense. When I say that Scott is creating BASIC TRACKS for us, I mean that he is building the bottom layers or "bed" of the recorded song (usually the drums, bass, and some type of rhythm instruments), onto which Christopher and I and perhaps guest artists will overdub more music (vocals, solos, etc.). TRACKING can mean recording in the general sense but also more specific elements of recording. And a TRACK is also a specific piece of the
recording tape onto which a single sound may be recorded (e.g., one
might hear said in a recording or mixing session, "Turn up the bass track" or "How many tracks are we using for drums?" This is the meaning
of TRACK when you hear terms like "24-track recording."

SINGLE is just that: the single release from an album, a specific song (or track or cut) chosen from an album for radio airplay and release in
a single-song format. (In my earlier days, singles were always 45-rpm records; these days they can be records, tape, or CD.) A SINGLE is
pretty much its own thing and is never used interchangeably with the three terms above.

Clear as mud?

Posted by Teddy on April 28, 1997 at 05:39:25:

Hi Christopher & Rob,

Thanks for telling us something about the recording process for your new album. I think it's
great you both take the time to do this !!

I have a question about the approach you and Rob are taking in recording the new album.
Although I understand that the songs you have been recording so far are somewhat different
than your previous work - and may require a different approach - I still would like to dig a
little deeper into your decision to not use many as you call it "real musicians".

I must say I have some doubts about the way albums are being recorded since the mid 80's. (I
guess it all started with Roger Linn inventing his first drum machine) Being a keyboard player
myself working with computers and samplers/synths most of the time, I still think that
something easily gets lost along the way when 80% of the music is being played by a single
person. It may be the passion and love for his instrument a musician puts into his playin' or it
may be some synergy effect when people are playing and working together at the same time
or whatever.

A great example of this (though maybe not within your "taste range") is the second album of
singer Chaka Kahn produced by Arif Mardin. He gave bass-player Anthony Jackson,
obviously not very satisfied with his initial parts, two months time to re- record his bass parts.
Although this may seem ridiculous, it produced some of the best bass lines I have ever
heard.(I remember turning the volume all the way up at the end of a song not to miss a single
note) Another example are some Philly Sound songs of the 70's (like the O'Jays, Harold
Melvin & Blue Notes etc. ) where they used to record 40 musicians at the same time. In my
ears, this creates a special kind of tension that I don't hear anymore these days. When you take
the Philly string parts for example, you hear 25 people playing a string arrangement written by
a guy with a special talent for writing orchestral arrangements. When I compare that to myself
(and the majority of musicians), using a couple of samplers and synths to play some string
pads, that's really a major difference.

Although I understand that these things are simply financially not feasible anymore these
days, I think it's a shame. Although I am only 32 years old I find myself playing a lot of music
from 20 years ago simply because there is so much more detail in the music. You keep
hearing new things each time! These things may not matter to a great deal of people and it
sure is not related to being a hit song or not but I was wondering how you feel about this.
Thanks in advance and my best wishes.

Teddy

(Please note that I am by no means trying to criticize your approach to the new album or what
so ever. Great albums are still made today and I'm convinced your new one will be one of
them)

Posted by Danny Claus on April 28, 1997 at 17:21:41:

In Reply to: Real musicians ( take 2 ) posted by Teddy on April 28, 1997 at 05:39:25:

I agree that a lot of stuff in more recent years hasn't been very smooth in production at least stuff that gets exposed these days. I do have to at least give my opinion to one of the best produced albums of all time as far as instruments , atmosphere and overall variety. It's called The Seeds of Love by Tears for Fears. This album is probably one of the most underrated IMO. Unfortunately TFF are also labeled as 2-hit wonders (ie. Shout and Everybody wants to Rule the world)... The Seeds of Love album is completely different and has a nice jazz, soul feel to it... there's a song called 'Woman in Chains' which is really beautiful and featured Oleta Adams on vocals... I'm sorry for going on but I am curious if anyone else has heard this album (and not just the "RADIO FRIENDLY" songs)...

Posted by Rob on April 28, 1997 at 22:03:24:

In Reply to: Music production and taste posted by Danny Claus on April 28, 1997 at 17:21:41:

Excellent album!

Posted by John Malone on May 06, 1997 at 19:06:36:

Christopher:

Loved your Window album, and your show at Konocti Harbor in N. California was great, except for the mike problems, you may recall. I hate to go so far back but I have always been fascinated on how the four of you put together the Arthur Theme. I heard that Peter Allen's only contribution was the line ..."when you get caught between..." Would be interested in everyone's contribution on how the song was born.
Looking forward to your new album and touring. Thanks.

Posted by Greg on May 08, 1997 at 10:29:43:

In Reply to: Writing w/multiple songwriters on the same song. posted by John Malone on May 06, 1997 at 19:06:36:

John, you are correct in regards to Peter Allen's contribution. It was a line he had written a while back while working with Carol on another project and never used. While Burt, Carole and Christopher were working that one night on "Arthur's Theme", Carole called Peter and asked him if they could use that line.
As I recall Christopher went over to Burt and Carol's home around midnight one night and put the song together in time to see the sun rise. But as far as everyone's specific role, I do not believe CC has ever addressed that. Once Christopher gets settled back in from his trip and has some time, he may be able to set the record straight on your question. Thanks for joining us on Crosstalk!

Posted by Al on May 22, 1997 at 18:12:48:

Christopher how many song's do you anticipate that you and Rob will record for the new album? Thanks

Posted by CC on May 22, 1997 at 19:40:43:

In Reply to: Question for CC posted by Al on May 22, 1997 at 18:12:48:

I think really we will end up with 10. It might be nice to have more but we have 6 now and it is very hard work so I am more concerned with getting the CD done also since it will be packaged with the live album it will be a full plate of tunes. Hope to see you soon. CC

Posted by bill maxwell on May 10, 1997 at 06:55:50:

hello christopher first your one of the best singers around least to me anyway can you tell me what songs on blossoms CD I think it was call you were on . also his there a way to get your autograph on one of my CD's thank you for all the music bill

Posted by CC on May 10, 1997 at 11:03:44:

In Reply to: Christopher's music in Japan posted by bill maxwell on May 10, 1997 at 06:55:50:

I don't know much about the Blossoms CD but maybe Linda can shed some light on this also she can tell you how to get the autograph I'll have her post a note here to you since you did not include your address. Thanks a lot. CC

Posted by Professor Perkins on May 10, 1997 at 15:50:20:

In Reply to: Re: Christopher's music in Japan posted by CC on May 10, 1997 at 11:03:44:

This disc contains the following songs:

1. One Day .................. Christopher Cross
2. Merry X'mas In Summer .... Robbie Nevil
3. One Big Wave ............... Timothy B. Schmidt
4. Makes Me Want You More ..... Gary Puckett
5. Bringing You Near .......... Robbie Nevil
6. Greet the Dawn ............. Gary Puckett
7. Can't Put The Fire Out ..... Timothy B. Schmidt
.. In Me
8. If I Ever Hear You ......... Robbie Nevil
.. Knocking On My Door
9. Must Be Something There .... Gary Puckett
10. Christmas Time Forever .... Christopher Cross

Songs written by Keisuke Kuwata
English lyrics by Tommy Snyder

* Christopher Cross appears Through Courtesy of
POLYSTAR/CO Ltd.

the lyric book also contains some cool color
random-dot stereograms, too!

Posted by Greg on May 10, 1997 at 17:50:47:

In Reply to: "Mid-Summer Blossoms 3" disc posted by Professor Perkins on May 10, 1997 at 15:50:20:

Professor, we all know that CC was born on May 3rd, 1951. But we are curious at exactly what time of day it was.
You must have one big brain to store all this "CC trivia". Gary Puckett, man is that a name from the past!
Appreciate the info as always.
Take care and say hi to Marianne!!

Posted by David Perkins (yeah, 'Professor Perkins', if you prefer!) on May 10, 1997 at 18:52:38:

In Reply to: Re: posted by Greg on May 10, 1997 at 17:50:47:

Actually, the correct spelling is "Mary Anne". Back in 1980, Chris told some his cohorts to tell her 'goodbye' and that he had 'gone to the Promised Land' and that he was going to 'make his way in the world as a music man'!

Ah, the CC trivia abounds!.......

found on the following page:

MARY ANN (c/w THE LIGHT IS ON)
45 RPM EP: Warner Pioneer P-641W
Release Date: November, 1980
Remarks : This song is written for the YAMAHA World Music Festival in Japan and
released only in Japan

• Adult Contemporary Music in Japan

Posted by Rob on May 10, 1997 at 21:49:50:

In Reply to: Marianne posted by David Perkins (yeah, 'Professor Perkins', if you prefer!) on May 10, 1997 at 18:52:38:

Wow. I’d forgotten about this one. Technically, the song was not written FOR the Yamaha festival - it was an older song that we had, written by Chris some years before we ever left for “the promised land” to make the first album. We only had the first album at the time, and the entry rules of the Yamaha festival called for a previously unreleased song. So Chris chose Mary Ann. No such person, purely a fictional character. He wrote the song from the standpoint of a small-town boy leaving behind everything he knows to try to make it big. As I recall, there’s nothing too special about the recording; it was never groomed to be heard outside of Japan The festival itself was a bit of a joke. We placed second, but so did about a dozen other acts! But it was our first trip to Japan, and we were thrilled with the reception.

I have NO IDEA what that Blossom thing is all about. Everyone else seems to know a whole lot more about it than I do (which is zilch). Somebody fill me in!

Rob

Posted by Betsy Foster on May 23, 1997 at 21:50:28:

Sorry if this has been asked a hundred times. But, we'd really like to know the lyrics for Arthur's Theme. If anyone can help, we would appreciate it.

Thanks,
Clint & Betsy Foster

Posted by David Perkins on May 24, 1997 at 13:40:06:

Just wanted to let all of you know that I've added a link
to Greg's pix onto my page.

Stay tuned for more to come (once I get my stuff out of
storage, that is!):

. soundclips from Chris' radio interviews from
1981, 1983, and 1985

. Pix from his 1982 Another Page tour

. Photos of his cover art from A Chance For Heaven"

. etc., etc.

• David Perkins' "unofficial" Christopher Cross page

Posted by Michael Thielmann on May 25, 1997 at 03:15:37:

In Reply to: Arthur's Theme lyrics posted by Betsy Foster on May 23, 1997 at 21:50:28:

Hi-
here are the lyrics for "Arthur´s Theme":

Once in your life you will find her
Someone that turns your heart around
And next thing you know
Your´re closing down the town
Wake up and it´s still with you
Even though you left her way cross town
Wonderin´ to yourself
Hey what have I found

When you get caught
Between the moon and New York City
I know it´s crazy but it´s true
If you get caught
Between the moon and New York City
The best that you can do
The best that you can do
Is fall in love

Arthur, he does as he pleases
All of his life his master´s toys
And deep in his heart he´s just
He´s just a boy
Living his life one day at a time
He´s showing himself a pretty good time
He´s laughing about the way
They want him to be

I have taken the words from the Japanese Vinyl Single so I hope that they are correct... by the way, "Arthur´s Theme" was nominated for four Grammy Awards for best record, best song, best male pop vocal and best sound track song. But the song failed to take home any awards. Michael.

Posted by Wim de Hertogh on May 25, 1997 at 14:27:25:

Hi!

I am very curious if anyone knows which songs were recorded for the ABC radio special somewhere in 1980 in Harrisonburg. I was very fortunate to find the Bootleg CD of this concert (Crossroads). The CD contains:
Really don't know anymore, No time for talk, Never be the same, Poor Shirley, Sailing, Minstrel Gigolo, The light is on, Ride like the wind, Say you'll be mine.
I'm wondering if more songs were played/recorded and if anyone has these recordings!

Thanks

Wim de Hertogh
Rotterdam, The Netherlands

Posted by Wim de Hertogh on May 25, 1997 at 15:03:03:

Hi,

First of all, I want to say that I think Christopher is an excellent artist who's managed to make great music all through his career and I think it's a darn shame that he has to go out to get a record deal in the US!
I was in the US last Month (may '97) and looked everywhere for "A Songwriter's Compilation" but wasn't able to find it anywhere. Can anyone please tell me where I can get it?

Thank you!

Wim de Hertogh
The Netherlands

Posted by Greg on May 25, 1997 at 16:26:17:

In Reply to: Availability of "A Songwriter's Compilation" posted by Wim de Hertogh on May 25, 1997 at 15:03:03:

The album "A Songwriter's Compilation" is only available here on the web site. Christopher and Rob put together a list of the songs that they are most proud of, and had them all put onto one CD Christopher originally sent these out to friends and acquaintances as a gift. He wanted to share with them some of the great music that they have made over the past few years, but perhaps had not heard--due to a lack of exposure. Then when this site began, there was some discussion of the album and Christopher decided to make it available to his loyal fans here on the site. So it is not available any place but here.

Posted by Dave Sispense on May 26, 1997 at 11:11:20:

I read someone's message about the 'new sound' of Christopher's new album. Can someone give me some info?

My other question is: what is expected of the album in terms of popularity? I surely will be down to the store to buy it, but will many others likely follow me? I believe in the talent of CC (and of Rob Meurer) and I hope the album is a great success.

Posted by kirk weber on May 14, 1997 at 20:12:02:

hey Chris, you need to come back to Detroit!!!

Posted by Greg on May 26, 1997 at 13:54:52:

In Reply to: The Brand New Sound/And Expectations posted by Dave Sispense on May 26, 1997 at 11:11:20:

Hi Dave and welcome to Crosstalk. When CC and Rob begin work on the album, they made a key decision on the direction of the album. Since they had listened to the record companies during the past several releases and had achieved minimal success--they decided to do an album just the way they wanted to do it. Without regards to creating songs just for airplay, etc. Christopher and Rob have had a difficult time describing the new songs. But they consistently say it is "different", but recognizably Christopher The new release will be a double CD On the first one, there will be the new songs that they are currently working on. On the second CD, it will be a live recording of a concert they will be holding in Southern California sometime during the summer. The live CD will contain some of the classic Cross songs, along with some of their favorites from the more recent albums, that many people have not heard yet. It should be a great package, and will most likely sell for the same price as a standard single CD

Posted by John Malone on May 27, 1997 at 21:47:09:

This question is for Christopher or anyone working on the new album:

I noticed that you recorded Window in Encino and somewhere else in Los Angeles, CA.

The first five songs that will be shopped for the new album, I assume, were recorded at Christopher's or other smaller studios.

Are you recording in "master quality"?
If not, do you use any of the existing tracks for the master?
Given the proper budget, what studio would you like to complete the project?

I look forward to your response.

John Malone

PS. Why don't we ever hear from Gigi on these postings?

Posted by CC on May 27, 1997 at 21:58:20:

In Reply to: Final Recording Venue posted by John Malone on May 27, 1997 at 21:47:09:

I used to have my studio gear in at a friend's home studio in Encino. He sold the house so I moved my gear home and built a room here. I have a state of the art Digital studio with total recall automation etc. I don't do demos, everything is master quality. The mixes we are doing as I'm writing this are for the CD When I finish these 5 my manager will take them and shop for a deal in the markets we don't have yet mainly the US. I would not compromise my music, I would find a way to do it in the best studio if I felt it was needed. What I have it home is perfect for the way I work usually 2 tracks at a time. Thanks

Posted by Dean McCarthy on May 28, 1997 at 10:40:47:

Chris, Are you going to tour in Ireland??

Posted by CC on May 28, 1997 at 12:44:26:

In Reply to: Final Recording Venue posted by John Malone on May 27, 1997 at 21:47:09:

Gigi did contribute for a while but she has a very playful sense of humor, sexual,dry etc. She also used a pen name "Trixie Spinningpelt" which threw some folks off causing them to be offended by her comments, their replies unfortunately bummed her out and she quit posting. I encouraged her to understand what happened and try and just be a little more tame but you just cant tame "Wicked Wanda" (her tour). We all miss her. Thanks CC

Posted by Matt on May 29, 1997 at 08:26:06:

I just listened to "I Will Take You Forever" (an excellent song) and noticed it was a duet with someone named Frances Rufelle. She has a beautiful voice. But I've never heard of her. What happened to her after the song was recorded in 1988?

Posted by Greg on May 29, 1997 at 11:04:23:

In Reply to: Concert Tours posted by Dean McCarthy on May 28, 1997 at 10:40:47:

Christopher does not have appearance dates set as of yet. Other than in Seattle at the beginning of August. His plans call for extensive touring after the release of his new album. We will be posting the tour dates in the "What's New" section as soon as the schedule is arranged.
Thanks for checking into Crosstalk.

Posted by dIon Gillard on May 17, 1997 at 19:10:41:

After discovering this site (thanks 2 my brother who introduced me 2 CC's music), I have to say I'm impressed with the access Christopher gives to his fans.

And thank everyone else for participating - it's an incredibly interesting read for a fan!

Now if only:
1) The CDs were available locally here in Australia
2) I was in the states when Christopher and gang were touring!

Keep it up!

Posted by Michael Thielmann on May 18, 1997 at 02:37:53:

In Reply to: tour plans for? my europe ?!? posted by stefan ryderborn on May 15, 1997 at 14:09:34:

: Hello Christopher! my name is stefan and I'm living in sweden. I have been listening to your music ever since the very first cc album and you are definitely on my top ten list(which also includes Michael McDonald) now my questions.Will you ever tour in scandinavia or europe? I was pleased to find out about the Window album through internet. I haven't seen it in sweden even though I live in stockholm(capital you know!) how come? my very best regards stefan ryderborn stockholm Sweden

Hi-
yes, Christopher was over in Europe in April and May 1995. I can´t remember all the exactly cities he played because the official itinerary changed a little bit. I know for sure that he played in Hamburg, Cologne, Munich, Valencia, Paris, Brussels, London and Croydon. The touring band was: Christopher Cross, Chas Thompson, Gigi Worth, Jody Cortez and Kiki Ebsen.
Michael.

Posted by Gabriel Lim on May 18, 1997 at 04:49:17:

Hi Christopher...

Even though I've never managed to get the chance to listen to any of your newer albums, but I'd like you to know how much I love a 1992 song entitled "Same Train" which was sung by you and Elaine Paige. That is the only 90s CC song played by the local Singapore radio station but I love the duet very very much especially your vocals on the song. Thank you for giving Singapore listeners like myself this song! Take care.

Cheers,
Gabriel

Posted by Greg on May 18, 1997 at 08:42:30:

In Reply to: Same Train posted by Gabriel Lim on May 18, 1997 at 04:49:17:

Gabriel, I am not personally familiar with this song. Do you know what album it is on? I would like to hear it, if available in the U.S.
Thanks...

Posted by Greg on May 29, 1997 at 13:39:58:

In Reply to: Re: Crosssection Photo Page Now Online!! posted by Greg on May 29, 1997 at 13:36:50:

The photos were taken in two studios by Christopher and Rob. The first photos are shot at engineer Scott Frankfurt's studio. The remaining photos were taken in Christopher's new home studio. More pictures will be coming to the page in the near future. Click below for direct access to the page.

• Click Here to View New Photo Page

Posted by Jeff DeWester on May 29, 1997 at 16:38:09:

In Reply to: Whatever happened to....Frances Rufelle? posted by Matt on May 29, 1997 at 08:26:06:

Check out this website for boatloads of information about Ms. Ruffelle:

• Frances Ruffelle Homepage

Posted by Michael Thielmann on May 30, 1997 at 09:14:08:

In Reply to: Re: Whatever happened to....Frances Rufelle? posted by Greg on May 29, 1997 at 13:13:07:

: Matt, since Christopher is so busy with the recording and mixing, I thought I would take a stab at this. That was one of the guest duets that Christopher USED to do. I saw somewhere that Frances Ruffelle was a star in the play "Les Miserables". I saw that song charted when it was released as a single in the U.S. It peaked at around #40 on the AC chart. Maybe Christopher, Mike or Dave know more about her. See ya...

Hi-
here are two facts from Germany to "I WILL": the song was here on the charts, the highest position was # 34. Also it was released as a Maxi Single. On the B-Side are the songs "JUST ONE LOOK" and "RIDE LIKE THE WIND". When Christopher was over in Europe 1995 he told me that he try to see Frances in London again. I don´t know if that really happened... Michael.

Posted by Asdis Omarsdotti on May 31, 1997 at 16:48:53:

Hi CC and the rest of the gang.
I was wondering if any of you could have MIDI-files of Arthur's Theme, Ride Like The Wind and It's All Right ? I've got quite a karaoke-collection on my PC but it's not perfect until I have these beautiful songs to sing along with.
Take care and keep up the good work!

Posted by Greg on May 31, 1997 at 18:11:02:

In Reply to: Hi !! posted by Asdis Omarsdotti on May 31, 1997 at 16:48:53:

There have been discussions on Crosstalk in the past about MIDIS. The only midi that I am aware of available on the WWW is "Sailing". Unless there is someone that has previously not spoken up, you may be out of luck.

Posted by Ron Hartman on May 31, 1997 at 19:21:16:

First - Sailing is my all time favorite song of yours!
Beautiful song. Second - how possible is it to get an
autographed picture?

Ron

Posted by Joanne Clarke on June 02, 1997 at 05:18:01:

Hi! It's nice to see this page again, as it is set up so wonderfully. How's the new album coming? Is it available yet? The best of luck to you on your work and on your tours, and to your band. Hopefully I'll be able to see you in concert.

Posted by Frank Kuhlmann on June 02, 1997 at 06:03:20:

hi c.c.
I am a big fan from germany, when will you visit germany this year ?

Bye bye

Frank

Posted by Greg on June 02, 1997 at 07:07:13:

In Reply to: tour to germany posted by Frank Kuhlmann on June 02, 1997 at 06:03:20:

Christopher does not have appearance dates set as of yet. His plans call for extensive touring after the release of his new album. We will be posting the tour dates in the "What's New" section as soon as the schedule is
arranged

Posted by Greg on June 02, 1997 at 07:11:09:

In Reply to: Well, hello! posted by Joanne Clarke on June 02, 1997 at 05:18:01:

Welcome back to Crosstalk! Christopher has the first five songs pretty much finished except for some minor "tweaking". The album will most likely not get out in the U.S. until some time in the fall. They will be shopping the first five songs for a record deal in the U.S. shortly. And then it would take about four months from the signing of the deal to get it into the stores. So right now, the album is on what we could call "a short holding pattern". But stay tuned right here, and we will be providing the latest info. Thanks again for checking in.

Posted by Frank Serkland on June 02, 1997 at 15:21:37:

In Reply to: Re: Hi !! posted by Greg on May 31, 1997 at 18:11:02:

I saw a MIDI of Arthur's Theme on America Online.

Posted by Al on June 02, 1997 at 21:08:40:

Rob a few months back you posted an answer on a question about Paul Cotton that I had. You mention during the late 80's you produced/co-produced several artist's on smaller labels, I was wondering if you could throw out a few names, so I could see if I could find some of you fine work. Thanks

Posted by vincent sim on June 03, 1997 at 09:30:32:

In Reply to: Re: Questions for CC posted by Christopher on March 21, 1997 at 21:29:25:

Dear Chris,

Thanks for the great music all these years. I started listening to you when I was about 14 years old. Now I'm 25.

It went like this. One day, I was watching "Growing Pains" on the TV. They started playing your song, "Swept Away". Immediately, I fell in love with it [being the kind of sentimental guy that I am!]. Since then I've been playing your music over and over.

However, I lost one of your cassettes and have since found great difficulty in getting that same album from any record stores. I live in Kuala Lumpur, Malaysia, and am using my friend's e-mail while I'm here in S'pore. I have forgotten the name of the album but I do remember two of the song titles. They are Someday and Swept Away. I could have written earlier, but it's only recently did I come to know of e-mail.

How could I get hold of that precious album again? Please advise. Thank you very much, Chris, and keep singing!

Yours sincerely,
Vincent

Posted by Rick Schaffer on June 03, 1997 at 13:00:03:

In Reply to: Re: Information please on Harrisonburg concert for ABC Radio posted by Rob on May 25, 1997 at 22:34:41:

: Greg - We have never played “Spinning” live to the best of my recollection - since it was a duet with Valerie Carter - so it wasn’t on that recording. (Hmmm, maybe we could get Agnetha ...nah, nevermind.) All the others from the first album were there, though, as you say. That was recorded for a now-defunct weekly syndicated radio program called The King Biscuit Flour Hour (who knows why - sounds distinctly old-timey). I have a copy of the show on vinyl! That is the way it was sent out to radio stations back then. I believe there is Christopher Cross on one side of the records and Leo Sayer on the other. Strange, eh?

Rob,
How can I get a copy of this live recording? Is it asking too much? Again, the first time I saw CC in concert, he warmed up for Fleetwood Mac here in May 1980 at Market Square Arena. Boy, does the King Biscuit Flour hour bring back memories. I will be more than happy to pay for the tape, your time etc. or even make a donation to your favorite charity. I realize that there will be a live CD with CROSS SECTION but I would really like a live recording of the "First Time" I saw you guys live. Rick Schaffer

Posted by Frank Serkland on June 03, 1997 at 16:28:43:

In Reply to: I found Ride Like The Wind as a MIDI! posted by Frank Serkland on June 03, 1997 at 16:26:12:

I messed up with the previous post. Try the URL now.

• Feather's MIDIS

Posted by Greg on June 03, 1997 at 20:10:53:

In Reply to: Re: Questions for CC posted by vincent sim on June 03, 1997 at 09:30:32:

The album you are talking about is Back of My Mind (1988-Reprise). It is out of print. But the CD is available in very limited quantities on the web site here. Just go to the menu and click on CD Orders. You can place an order for it there. It is highly unlikely you can find it anywhere else.

Posted by mark eden on June 05, 1997 at 13:27:18:

saw the new band at poole arts centre easter last year (in the uk). bought 'Window'and managed to track down rendezvous but have tried everywhere for additional back catalogue especially 'every turn of the world' and 'another page'. can anyone tell me where in the uk I can get hold of these items on CD as well as the 'back of my mind' album referred to and the new 'compilation.

many thanks

Posted by David Perkins on June 05, 1997 at 14:19:19:

In Reply to: back catalogue posted by mark eden on June 05, 1997 at 13:27:18:

Mark,

"Every Turn of The World" is available from
Thoughtscape Sounds - http://www.thoughtscape.com

"Another Page" is available from from CDNOW -
http://www.cdnow.com

"Back Of My Mind" is available from HERE and from CDNOW

• Back Of My Mind

Posted by John Malone on June 05, 1997 at 18:37:48:

Christopher:

Having the flexibility of recording at your in-home studio, I would figure that you and Rob could spend hours just getting a drum sound right.

When do you know where to draw the line on the finished product. I'm sure there are plenty of your previous recordings that you would love to change as a result of different ideas or newer technologies.

Or are you ever satisfied with the final sound?

Thanks.

John Malone

Posted by Greg on June 05, 1997 at 19:35:51:

In Reply to: Re: back catalogue posted by David Perkins on June 05, 1997 at 14:19:19:

Dave, I just checked Thoughtscape and CD Now and neither are showing these albums at this time. Maybe they have sold out of inventory. Or maybe they are hidden and I couldn't find them.
Mark, the compilation is a special CD that is only available here on the web site.

Posted by Linda on June 06, 1997 at 14:05:40:

In Reply to: Question for Rob? posted by Al on June 02, 1997 at 21:08:40:

Al, just so that you don't think Rob is ignoring you, I wanted to let you know that he is in Japan with Karla Bonoff for the next two weeks. I'm sure he will answer when he returns.

Posted by LARRY K on June 06, 1997 at 14:27:34:

In Reply to: Arthur's Theme lyrics posted by Betsy Foster on May 23, 1997 at 21:50:28:

: Sorry if this has been asked a hundred times. But, we'd really like to know the lyrics for Arthur's Theme. If anyone can help, we would appreciate it.
: thanks,
: Clint & Betsy Foster
BUT WHAT DOES THAT LINE ABOUT "HIS MASTER'S TOYS" MEAN?

Posted by LARRY KENNY on June 06, 1997 at 14:35:35:

In Reply to: Arthur's Theme lyrics posted by Betsy Foster on May 23, 1997 at 21:50:28:

WHAT IS THE MEANING OF THE LINE FROM ARTHUR'S THEME, "ALL OF HIS LIFE HIS MASTER'S TOYS."? I'VE JUST FOUND THIS PAGE AND MUST TELL YOU THAT AT LEAST A HUNDRED PEOPLE, OVER THE LAST SEVERAL YEARS, HAVE ASKED ME THAT QUESTION. ASSUMING, OF COURSE, THAT THAT IS THE CORRECT LYRIC. YOU'RE THE GREATEST CC. THANKS.

Posted by ;LARRY K on June 06, 1997 at 14:39:59:

In Reply to: Re: Arthur's Theme lyrics posted by LARRY K on June 06, 1997 at 14:27:34:

BUT WHAT DOES THE LINE ABOUT "HIS MASTER'S TOYS" MEAN?

Posted by LARRY K on June 06, 1997 at 14:45:43:

"HIS MASTER'S TOYS" LINE HAS ALWAYS BAFFLED ME. WHAT DOES IT MEAN? THANKS. YOU'RE THE GREATEST CC.

Posted by CC on June 06, 1997 at 16:14:54:

In Reply to: Where Do You Draw The Line? posted by John Malone on June 05, 1997 at 18:37:48:

Rob may give you his take as well he is in Japan at the moment. There are a few things I would change, the only big ones are the level of the AP CD and the drum sound on BOMM. In general we don't obsess too much, we try to work with good players who get good sounds and have good ideas so it's not a problem .We have been doing this long enough now that when we plan to do something it pretty much comes out sounding like we imagine. On this project I work to get a good guitar sound I have my vocal setup pretty much figured out, the mic compressor etc. The rest of the tracks are pretty much being generated by Scott the LA programmer. He is brilliant and in addition to having the best sounds in town he is very creative and brings something new to our approach which we are excited about. The real key to making good records is #1 a good song. #2 Surrounding the music with the right people so you don't waste time with costly and frustrating experimentation. Thanks for your thoughtful questions. I think everyone is going to find this new one surprising and hopefully fulfilling. We are Thanks John

Posted by Greg on June 06, 1997 at 17:07:17:

In Reply to: ARTHUR'S THEME posted by LARRY K on June 06, 1997 at 14:45:43:

Larry, have you ever seen the movie?? If you haven't I suggest you go out and rent it this weekend. When you view it the term will become extremely clear.

Posted by Al on June 06, 1997 at 20:34:34:

In Reply to: Question for Rob? posted by Al on June 02, 1997 at 21:08:40:

Thanks for the info Linda.

Posted by Greg on June 07, 1997 at 08:40:48:

It's that time again...
I would like to take a simple fan poll asking each of you to respond to me via e-mail. I will publish the results of this poll on 6/13/97. Please list your top 3 Christopher Cross songs of all time. And rank in order of preference.
Just send me a quick e-mail with your choices. Thanks for participating!

Posted by Larry Dickerson on June 08, 1997 at 14:17:58:

Just like to ask Christopher Cross if he plan on releasing a greatest hits package in the US like the one from Germany. There is a song that I heard him sing in the movie Nothing in Common that I would like to have as well... Not to mention does anyone remember "A chance for Heaven?"

larry

Posted by Greg on June 08, 1997 at 14:41:11:

In Reply to: Nothing in Common posted by Larry Dickerson on June 08, 1997 at 14:17:58:

Larry, Christopher would very much like to release a greatest hits album in the U.S., and WB has expressed an interest. But the negotiations have been going very slowly. So it will probably happen someday, but do not hold your breath. The songs selected for the U.S. Best of will likely be different that the ones selected for the German version.
"Nothing in Common" was the title song to the Tom Hanks/Jackie Gleason comedy. It was on the soundtrack, but unfortunately it is out of print and today copies are very hard to find. This was Jackie Gleason's last movie before dying.
"A Chance for Heaven" has been discussed quite a bit on the board here. People are looking for copies of the cassette without much success. The last one I saw was in LA about four years ago, in a bargain bin.
Thanks for checking into Crosstalk...

Posted by Larry on June 08, 1997 at 20:37:40:

In Reply to: Re: Nothing in Common posted by Greg on June 08, 1997 at 14:41:11:

I may be able to help with people trying to get , "A Chance for Heaven." Umm.. Is it possible to start like a tape bank? The Al Stewart fan club has a tape bank in which members can get hard to find songs. Actually, way out of print songs.. Could we do this with Cross?
By the way.. Swept Away is a must for the US Greatest hits package. It would be a shame if such a song remained in obscurity.. I have the CD Back of my Mind.. But I know that many of my friends would like to have a GH Cross CD with that song on it.. Instead of constantly borrowing my CD and Cassette of it.. thanks

Posted by Rob on June 08, 1997 at 21:26:07:

In Reply to: Question for Rob? posted by Al on June 02, 1997 at 21:08:40:

Finding most of this stuff might be difficult if not impossible, but you can try!

I produced two albums for Freeway Philharmonic, the first self-titled and the second called “Car Tunes.” They are still good friends of mine, and the violist is Novi Novog, who has played on a few tracks for Christopher’s albums. A very unique group: guitar, viola, and Chapman Stick, plus a drummer on the second album.

I also produced a young rock band called The Alisons. They were all about 20 at the time (1989) but had an uncanny grasp of a certain type of sixties rock. Very influenced by The Byrds and others of that ilk. A very straightforward album of songs, nothing fancy, but I always liked their stuff. I think it appealed to the old fogey in me!

All of the above albums were for a now-defunct label called Spindletop. I do not know if the owner passed the catalog on to anyone else when he dissolved the label; to the best of my knowledge he didn’t. I did an all-Synclavier Christmas album for him in ‘85.

The Cotton album was also on a small, now-defunct label, Sisapa. Where did I ever find these people? But they gave me a chance to be involved with and get to know some good artists.

Thanks, Al.

Posted by Lauddy on June 08, 1997 at 22:14:48:

Just wanted to add a suggestion for the concert tour......Eureka, CA. We'd love to have you here! Keep us in mind.

Posted by Asdis on June 09, 1997 at 03:49:24:

In Reply to: Suggestion for Next Concert Tour posted by Lauddy on June 08, 1997 at 22:14:48:

And how about adding Reykjavik, Iceland, to the map ?? ;-) We'd love to have you over here!!!

Asdis

Posted by Gabriel Lim on June 09, 1997 at 06:01:53:

Hello Christopher...

I'm part of the Peter Cetera fan club as well and just to let you know, there was a poll that was taken quite recently. In this poll, they were asking who the fans would like Peter to work a duet with. And I'm proud to say that your great name was mentioned in a handful of postings. That goes to show how many admirers you have out there! :) Do you think it's any way possible in the future that both of you can sing together whether at a concert or in the studio? :) Looking forward to your reply...and don't forget about Singapore. We'll love to have you here for a concert SOON!!!! :)

Take care,
Gabriel Lim

Posted by David Perkins on June 09, 1997 at 12:39:21:

In Reply to: Duet/Tour with Peter? posted by Gabriel Lim on June 09, 1997 at 06:01:53:

Gabriel,
Chris has made it very clear in the past that he *doesn't* play *any* for this album!

Posted by CLIFF OLIVER on June 09, 1997 at 13:39:22:

Ain't technology great.
Here is a trivia question for the Webmaster. What was the first band that Chris and Rob played in?

Chris, how is your sister? I saw Larry at an end of tax season function and forgot to ask him. I never knew Tim or Larry very well, but Cindy was one of my favorite people.

I guess you heard Ava passed away February a year ago. She liked you very much. John Oliver enjoys telling the story about when you brought your date over to the house. He was cleaning his guns and let a shot go off in the fire place. What was the name of your date?

Neither you or Rob should have anything to do with Karla Bonoff. She is too good for either of you.

See ya.

Posted by Danny Claus on June 09, 1997 at 16:18:57:

CC,

Do you plan on releasing any songs from the upcoming album as CD singles? And do you plan on making a promo video to accompany them that can be rotated on say VH-1 or some other decent station with at least some kind of variety in videos?

Danny Claus

Posted by Rob on June 09, 1997 at 18:13:09:

In Reply to: Stopped by to say high. posted by CLIFF OLIVER on June 09, 1997 at 13:39:22:

A damn good question for our Webmaster! Cliff, great to hear from you. I’ve e-mailed you.

Rob

PS - Greg, Cliff is a definite connection to our musical past that you may not know about...

Posted by Greg on June 09, 1997 at 18:55:43:

In Reply to: Upcoming single and such posted by Danny Claus on June 09, 1997 at 16:18:57:

Danny, he needs to get a record deal first. And then work with them on what is appropriate.
I can tell you that he has thought about taping his live CD concert and possibly getting VH-1 or someone to broadcast it. As far as promotional video is concerned, that will depend on the label's desire.

Posted by Greg on June 09, 1997 at 19:02:14:

In Reply to: Stopped by to say high. posted by CLIFF OLIVER on June 09, 1997 at 13:39:22:

Cliff, here's my answer (drum roll please...)
I don't have a f..... clue! See what you may not know is that my name around here is not Webmaster.
It is janitor! I handle the maintenance of the page, but I leave all trivia stuff to the Chancellor and Professor of C.C.U.
But I know one thing, you are right about Karla being way too good for those guys.
The Professor and Chancellor will get back to you with the correct answer. :-)

Posted by Greg on June 09, 1997 at 20:16:58:

I am glad to announce that there are currently three concert dates scheduled for Christopher this summer. Here is the information that we have available at this time. More info will follow as we get closer to the show dates.

July 12th -- St. Paul Summerfest
Christopher will perform an acoustic set. Other acts appearing are Sheena Easton and America.

August 2nd -- Woodinville, WA
Chateau St. Michelle Winery 7PM
Appearing with Karla Bonoff.

August 3rd -- Burbank, CA
The Starlight Bowl 6:30PM
Appearing with Karla Bonoff

Note: Christopher is still planning on recording the live CD late this summer. There is a good chance that the venue will change to Nashville, TN. But nothing is definite at this point in regards to date and location.

Keep checking the site for the latest information.

Posted by Christopher on June 09, 1997 at 23:17:27:

Thanks to all who have posted I'm sorry I have not been as available. We are just finishing the mixes on the first 5 songs . My life is so busy between work and family. I will be giving Greg the mixes as they get done to put some clips for you to check out in the next 2 weeks. The live album recording should be a wonderful event when it happens. I would like to do an unplugged night and 2 band night and audio and video record them all possibly in Nashville as Greg mentioned. Stay tuned.

Posted by Frits Silano on June 10, 1997 at 01:21:04:

Dear Christopher,

I'm trying to find the Alessi Brothers' album "Long Time Friends" which was reportedly produced by you.
Can you tell me a little bit more about it because I'm having a hard time finding it.
Didn't you play on this album as well?

Thanks,

Frits Silano,
The Netherlands

Posted by Matt on June 10, 1997 at 06:41:50:

In Reply to: Re: Duet/Tour with Peter? posted by David Perkins on June 09, 1997 at 12:39:21:

I'm not sure what that means Dave. Anyway I think the idea is great, Gabriel. Wait around and ask Chris.

Posted by Michael Thielmann on June 10, 1997 at 07:50:31:

In Reply to: Re: Stopped by to say high. posted by Rob on June 09, 1997 at 18:13:09:

To the question what was the first band Christopher and Rob played in: if I´m right the band was called "FLASH". I t was a sixties band and broke up in around 1970/71. The band members were Christopher, Rob on drums and Dubby Hankins on bass (they replaced him with Andy Salmon).I don´t know if it is true but I heard that they played as opening acts in Texas for "ZZ TOP", DEEP PURPLE" and "JEFFERSON AIRPLANE". But, as I said, I don´t know this for sure...
Michael

Posted by David Perkins on June 10, 1997 at 08:05:25:

In Reply to: Re: Duet/Tour with Peter? posted by David Perkins on June 09, 1997 at 12:39:21:

: Gabriel,
: Chris has made it very clear in the past that he *doesn't* play *any* for this album!

I *meant* to say: Chris has made it very clear in the past that he *doesn't* plan on *any* duets for the new album.

Posted by Carrie on June 10, 1997 at 09:53:03:

I am looking for Lyrics to a a Christopher Cross song that might be titled I LOVE YOU, LOVE? I believe that this is the correct title. Anyone who can help, please reply.

Thanks!

Posted by David Perkins on June 10, 1997 at 10:06:53:

In Reply to: Lyrics posted by Carrie on June 10, 1997 at 09:53:03:

: I am looking for Lyrics to a a Christopher Cross song that might be titled I LOVE YOU, LOVE? I believe that this is the correct title. Anyone who can help, please reply.

Mike, would you care to take a stab at this one?

I'm thinking that it's "Isn't it Love" from Rendezvous or, perhaps "Love is Love (in any language) from Every Turn of the World.

: Thanks!

Posted by David Perkins on June 10, 1997 at 10:15:11:

While pondering the question below, I came to a startling realization. Only four of Chris' songs from his past 6 albums contain the word 'love' in the title!
And *2* of them were on Every Turn of The World, supposedly, the 'loudest' of the six!

p.s. ..and you were expecting some tawdry expose' of
Chris' prom dates and girlfriends.....shame, shame! ;)

Posted by LARRY K on June 10, 1997 at 13:55:54:

THANKS FOR THE REPLY. I HAVE SEEN THE MOVIE AND GET THE
GIST OF THE LINE BUT ALWAYS SUSPECTED THAT IT MIGHT BE
"...HE'S AMASSED HIS TOYS." THE OTHER REASON I AM SUS-
PICIOUS OF THE "MASTER'S TOYS" VERSION IS THAT I HAVE
SEEN SEVERAL DIFFERENT VERSIONS OF THAT LYRIC ON SHEET
MUSIC. ANYWAY, ANY LIGHT THAT CAN BE SHED ON THIS PAR-
TICULARLY PICKY POINT WOULD BE GREATLY APPRECIATED.
IT IS, AFTER ALL, MY FAVORITE SONG. THANKS AGAIN GREG.

Posted by Matt on June 10, 1997 at 15:23:38:

In Reply to: Duet/Tour with Peter? posted by Gabriel Lim on June 09, 1997 at 06:01:53:

Funny duet should be mentioned about now...I now Chris is not doing a duet on this album, but wouldn't it still be nice for a duet for someone else's? It's also a coincidence Peter Cetera should be mentioned. Peter did a duet with Agnetha Fältskog in 1987 called "I Wasn't The One (Who Said Goodbye)", a beautiful song. And remember the support so many of us Christopher Cross fans had on the duet with Chris and Agnetha?! Peter is experienced with duets...he's worked with Cher, Amy Grant, and Chaka Khan as well.

Posted by Steve on June 10, 1997 at 17:51:55:

In Reply to: Chris' past 'loves' posted by David Perkins on June 10, 1997 at 10:15:11:

Hey gang-

Of course, there is that song full o'love, so nice he said it twice, "Love Is Love (In Any Language)! I noticed he only has one song with the word "Shirley" in the title too. Haha!

Posted by Jeff Phelps on June 10, 1997 at 17:59:29:

In Reply to: Re: Duet/Tour with Peter? posted by Matt on June 10, 1997 at 06:41:50:

Great news for all you duet fans... CC is planning to sing with the Andrews sisters... 4 voices in harmony! Oh joy! Snore...

Posted by Greg on June 10, 1997 at 19:12:43:

In Reply to: Lyrics posted by Carrie on June 10, 1997 at 09:53:03:

Watch out Professor--Greg wants to give this one a shot.
Carrie, are thinking of the song Love is Love (In any Language)
from the Every Turn of the World Album. If you are,
the lyrics can be found on the discography web page.

Posted by Rob on June 10, 1997 at 20:46:51:

In Reply to: Re: Stopped by to say high. posted by Michael Thielmann on June 10, 1997 at 07:50:31:

I cannot believe this!! An actual ERROR from Michael Thielmann?!? No, folks, I never played in Flash. At that time I was the drummer in another local group, Virgil Foxx. Next contestant please...

Posted by Gabriel Lim on June 11, 1997 at 05:33:15:

In Reply to: Re: Duet/Tour with Peter? posted by Jeff Phelps on June 10, 1997 at 17:59:29:

: Great news for all you duet fans... CC is planning to sing with the Andrews sisters... 4 voices in harmony! Oh joy! Snore...

Hi Jeff...

The Andrews sisters?? Who're they? :o)

Gabriel

Posted by Gabriel Lim on June 11, 1997 at 05:35:55:

In Reply to: OOOPS! posted by David Perkins on June 10, 1997 at 08:05:25:

: I *meant* to say: Chris has made it very clear in the past that he *doesn't* plan on *any* duets for the new album.

Hi David...

Well he doesn't have to do it on this album. I'm just wondering if perhaps he can do it for a future album next time. :) Thanks for sharing, David.

Take care,
Gabriel

Posted by Cassie on June 11, 1997 at 09:10:19:

Please, guys, no more talk of duets. Doing an album that you're happy w/ is probably enough work w/out all the armchair quarterbacking -- albeit good-natured quarterbacking. Chris, I think I can safely say that we're all anxious to hear the latest from you and Rob. I only hope that when you're ready to let us listen in, that you can honestly say that you're happy w/ what you've done and where you're Muses have taken you. Thanks.

Posted by Michael on June 11, 1997 at 10:13:15:

In Reply to: Re: Stopped by to say high. posted by Rob on June 10, 1997 at 20:46:51:

: I cannot believe this!! An actual ERROR from Michael Thielmann?!? No, folks, I never played in Flash. At that time I was the drummer in another local group, Virgil Foxx. Next contestant please...

...OK. I was a little bit confused. The band name was not correct. But is it right that the first band that you and Chris were in was a 3-piece Band with Dubby Hankins? I will make a second try but I will wait first if there is anybody out there who also will answer... Michael.

Posted by Michael Thielmann on June 11, 1997 at 10:27:52:

In Reply to: Producing Alessi Brothers album posted by Frits Silano on June 10, 1997 at 01:21:04:

: Dear Christopher,

: I'm trying to find the Alessi Brothers' album "Long Time Friends" which was reportedly produced by you.
: Can you tell me a little bit more about it because I'm having a hard time finding it.
: Didn't you play on this album as well?

: Thanks,
Hi Frits!
Here is what I know about the album "Long Time Friends": it was produced by Christopher Cross and Michael Ostin, the Executive Producer was Quincy Jones. There are eleven songs on this album and Christopher played guitar on nine songs. He did Additional Background vocals on "Rise up" and "Forever". Other musicians on this album: Tommy Taylor, Rob Meurer, Michael Omartian, Steve Lukather, Jeff Porcaro, Lenny Castro, Eric Johnson, Roscoe Beck, Larry Carlton, Patti Austin and many more... Michael.
: Frits Silano,
: The Netherlands

Posted by Michael on June 11, 1997 at 10:41:22:

In Reply to: hmmm.... posted by David Perkins on June 10, 1997 at 10:06:53:

: : I am looking for Lyrics to a a Christopher Cross song that might be titled I LOVE YOU, LOVE? I believe that this is the correct title. Anyone who can help, please reply.

: Mike, would you care to take a stab at this one?

: I'm thinking that it's "Isn't it Love" from Rendezvous or, perhaps "Love is Love (in any language) from Every Turn of the World.

Hi to all-
I was thinking of the same songs. Fact is that the song is not called I LOVE YOU, LOVE. Another suggestion is maybe "Never be the same" with the line: I loved you then I think I´ll love you forever... Michael.

: : Thanks!

Posted by Al on June 11, 1997 at 11:18:23:

In Reply to: Enough w/ the duets, please. posted by Cassie on June 11, 1997 at 09:10:19:

I second this motion!!!

Posted by mark eden on June 11, 1997 at 13:25:34:

In Reply to: Re: back catalogue posted by Greg on June 05, 1997 at 19:35:51:

: Dave, I just checked Thoughtscape and CD Now and neither are showing these albums at this time. Maybe they have sold out of inventory. Or maybe they are hidden and I couldn't find them.
: Mark, the compilation is a special CD that is only available here on the web site.

Posted by mark eden on June 11, 1997 at 13:41:59:

Deeply indebted to Greg & David for their responses to my inquiry earlier this week and have endeavoured to order several items (ie Back o my mind and Songwriters Collection) despite being outside of mail order territories. Have no problem with any additional shipping charges that may be incurred and hope someone will see fit to process order. For what its worth I ran a recording studio in UK for 20 years and was in a band called Misty (signed to Polydor in 70's writing and performing music very similar in essence to CC.) and find it stunning that music of this calibre fails to find the audience it deserves. Regards to all CC enthusiasts and to the man himself !!!

Posted by Matt on June 11, 1997 at 16:29:23:

In Reply to: Re: OOOPS! posted by Gabriel Lim on June 11, 1997 at 05:35:55:

That's exactly what I say about the duets....there's always a future. We should always look into tommorow...maybe Chris and Agnetha can still sing together....or Peter and Agnetha again....

Posted by Greg on June 11, 1997 at 18:47:55:

In Reply to: Re: Stopped by to say high. posted by Michael on June 11, 1997 at 10:13:15:

I know this message string is getting long, but I couldn't resist. Michael, who in this great world of ours do you think can answer this, if you can't. And Rob, I have downloaded Michael's incorrect answer. It will be kept in the treasured archives FOREVER!

Posted by John Malone on June 11, 1997 at 19:50:12:

Christopher:

Noticed you are selling your recording console in the current issue of Mix Magazine.

I have a record producer friend who is familiar with the board. Are you planning on getting something more sophisticated? Just wondering.

And what's with that price?

John Malone

Posted by Christopher on June 11, 1997 at 20:01:12:

In Reply to: Producing Alessi Brothers album posted by Frits Silano on June 10, 1997 at 01:21:04:

Nice album, would love to have it on CD myself. Don't have a clue where to look. It was on Quest Records you could contact them they may have a site. Thanks CC

Posted by CC on June 11, 1997 at 20:08:06:

In Reply to: Back Catalogue (follow up) posted by mark eden on June 11, 1997 at 13:41:59:

Mark, If you placed your order here on the page be assured it will be sent. We mail a lot to overseas locations. Thanks for your words of encouragement nice to hear them from a fellow artist,having had first hand experience with the ups and downs of our business you know how it is. Hopefully this new one will be the one to bring us back. CC

Posted by CC on June 11, 1997 at 20:12:22:

In Reply to: Selling Recording Console? posted by John Malone on June 11, 1997 at 19:50:12:

It's an amazing console just too big for my use now ,it's great for cutting bands tracks etc. I had it for sale for $250000.00 but I have just reduced it to $195000.00 I realized it was overpriced. I felt because it was rare I could make a few for the trouble of locating and fixing it up. I have switched to Yamaha O2R's . I cut with Vintage pres etc. and The O2 is total recall I can mix at home. It is just hard to justify owning such a gorgeous but expensive piece like the API for me these days. Thanks CC

Posted by Rob on June 11, 1997 at 20:51:47:

In Reply to: Enough w/ the duets, please. posted by Cassie on June 11, 1997 at 09:10:19:

Thank you, Cassie. Always a pleasure when you log on. Stop in often!

Rob

Posted by Matt on June 12, 1997 at 07:20:25:

In Reply to: Enough w/ the duets, please. posted by Cassie on June 11, 1997 at 09:10:19:

I'll try to speak for some of the others. I think people are mentioning duets because it's what they want. This is a page for fans of Christopher Cross to meet and exchange ideas. IDEAS. That's why duets have been mentioned....they're just ideas. I'm not sure who started the Agnetha duet idea but it was certainly great. Thanks, Gabriel, for mentioning Peter, too.

Posted by Michael on June 12, 1997 at 08:32:03:

In Reply to: Re: Stopped by to say high. posted by Greg on June 11, 1997 at 18:47:55:

: I know this message string is getting long, but I couldn't resist. Michael, who in this great world of ours do you think can answer this, if you can't. And Rob, I have downloaded Michael's incorrect answer. It will be kept in the treasured archives FOREVER!

Here is my second try: was the band called "THE OH-SO-GOOD BAND"? If not I don´t know anymore!
Michael.

Posted by David Perkins on June 12, 1997 at 08:52:16:

In Reply to: Enough w/ the duets, please. posted by Cassie on June 11, 1997 at 09:10:19:

Call me strange, but when I buy a Christopher Cross CD, I'm buying to here Christopher Cross! I think that the idea of Chris duetting on someone *else's* album is a good one.

Posted by David Perkins on June 12, 1997 at 08:54:12:

In Reply to: Re: Stopped by to say high. posted by Michael on June 12, 1997 at 08:32:03:

: Here is my second try: was the band called "THE OH-SO-GOOD BAND"? If not I don´t know anymore!
: Michael.

you mean, you *really* don't know anymore! ;)

Posted by Greg on June 12, 1997 at 20:14:28:

The problem is, Christopher DID respond in regards to this. When all the nonsense about Agnetha started. He said, "I have done enough duets in my lifetime, I am burned out on them and I have no interest in doing duets in the future". How much clearer can he make it? He takes a look at the board on almost a daily basis. Now if he felt like he had anything more to say or had a change of heart, do you not think he would post a response? It is not like he has been asleep for the past two months. He is going to wake up from his nap, see all these posts and say "oh my gosh, I did not know there was this amount of interest--I better think about doing one in the future!!" He is making the music that he wants to make. Why can't we just allow him the peace to do things that he wants? This is basic common sense.
I think everyone has just discovered my boiling point. GOOD NIGHT!!

Posted by Greg on June 12, 1997 at 21:20:12:

In Reply to: Re: Duet/Tour with Peter? posted by Matt on June 10, 1997 at 06:41:50:

Matt, on your post you say wait to see what Christopher says. He has already posted on this in the past, and has no plans to in the future. To him it is a dead issue. He said originally that he is burned out on doing duets, he has done enough of them and he has no desire to do any in the future. He cannot be any clearer. He looks at Crosstalk daily, and if he felt like responding he would have a long time ago. Why this dead horse keeps getting beaten is WAY beyond me.

Posted by Greg on June 12, 1997 at 21:31:58:

In Reply to: Fan Photo Page posted by Greg on June 12, 1997 at 21:29:52:

There have been a lot of photos being passed around via e-mail Wondering if there is any interest in throwing them on to
a web page. So we can see who we are talking with. If you are interested send me an e-mail with you image file. When I
get enough I will put a page together.
gregrobins@prodigy.net

Posted by Scott Matt from Girl On Top on June 13, 1997 at 00:19:10:

Thanks for the rap session & honest advice about the music business. It's nice to hear it from someone who has actually been successful, yet still has a solid grasp on reality. Usually all we hear about is how hard it is. We already know that!
Thanks, Matt & Scott - G. O. T.

P.S.
That console is the sweetest API I have ever seen!
If I had the $$$ I'd take it in a second!

Posted by Dave Sispense on June 13, 1997 at 11:23:04:

In Reply to: Enough w/ the duets, please. posted by Cassie on June 11, 1997 at 09:10:19:

Personally, I think Christopher is rather good at duetting. The song "Spinning" with (?) was very well done, and so was "Open Up My Window" with Gigi Worth. He just has one of those voices that's not only great by itself but great when mixing with others. That's one of the reasons I supported the duet thing in the first place. I don't think anybody will forget the Agnetha thing. It was just too good an idea.

Posted by mark eden on June 13, 1997 at 13:36:48:

In Reply to: Re: Back Catalogue (follow up) posted by CC on June 11, 1997 at 20:08:06:

: Mark, If you placed your order here on the page be assured it will be sent. We mail a lot to overseas locations. Thanks for your words of encouragement nice to hear them from a fellow artist,having had first hand experience with the ups and downs of our business you know how it is. Hopefully this new one will be the one to bring us back. CC

Posted by mark eden on June 13, 1997 at 13:40:39:

In Reply to: Re: Back Catalogue (follow up) posted by mark eden on June 13, 1997 at 13:36:48:

Dear Christopher (or may I call you Chris!)

Thanks for taking the time to reply in person.

I'll buy 10 copies and give them to all my friends as Chris -mas presents !!!

All the best

Mark

: : Mark, If you placed your order here on the page be assured it will be sent. We mail a lot to overseas locations. Thanks for your words of encouragement nice to hear them from a fellow artist,having had first hand experience with the ups and downs of our business you know how it is. Hopefully this new one will be the one to bring us back. CC

Posted by David Perkins on June 13, 1997 at 13:53:26:

I just listened to the first album and Another Page over the past week. I've noticed that there's something missing from the newer recordings, a *real* piano!
I remembered how great Rob's electrified grand sounded at that 1982 Another Page concert in Boston.
Are real pianos hard to come by nowadays. I also find them missing in a lot of today's music. Kurzweil's are incredible and very portable but they don't even approach the sound of an actual grand, IMHO!

Posted by Matt on June 14, 1997 at 07:35:28:

In Reply to: to CC or Rob: something's missing... posted by David Perkins on June 13, 1997 at 13:53:26:

Dave, I certainly agree and I am glad you pointed that out. This is my take on it: before synthesizers were big, pianos were the only major keyboards used (except the odd harpsichord like on The Partridge Family records) (excluding organs) in pop music. Once synths came, they were on everybody's record because they were something fresh and new. Even the Everly Brothers used them on their albums in the 1980s. People had heard all the pianos before so I think they were just looking for something different. I, too, miss when real instruments were used on records. But, you can't say that real pianos are absent totally from today's songs: look at Elton John's, and Journey. There are still bands and artists that widely use real pianos either with or without synths. I always found that on Chris's first album pianos were prominent and for a while until I heard other albums by him I thought they were part of his trademark sound. Hopefully on his new album he'll have some.

Posted by CHRIS TURNER on June 14, 1997 at 09:14:02:

DEAR CHRIS,

WHEN YOU ARE PUTTING TOGETHER A NEW ALBUM HOW MANY SONGS DO YOU HAVE TO CHOOSE FROM AND WHAT HAPPENS TO THE ONES THAT GET REJECTED? DO YOU SAVE THEM FOR LATER AND RE DO THEM UP? OR DO YOU JUST FORGET ABOUT THEM? I AM LOOKING FORWARD TO YOUR NEW ALBUM ESPECIALLY THE LIVE PART OF THE ALBUM WISHING YOU EVERY SUCCESS

CHRIS TURNER[FROM ENGLAND UK]

Posted by Greg on June 14, 1997 at 16:38:48:

In Reply to: SELECTION OF SONGS FOR NEW ALBUM posted by CHRIS TURNER on June 14, 1997 at 09:14:02:

Chris, most of the time Christopher and Rob do enough songs to make an album. I do not believe that they have many, if any songs sitting in the vault. Right now they have five or six done, and plan on getting to the number ten for Album #7.

Posted by Bubba on June 15, 1997 at 08:55:17:

I have been sitting here reading all the guesses to the "so-called" loyalists trying to guess the name of the original band that Chris and Rob were in. I was happy to see that Cliff finally asked a real trivia question. I have been sitting here observing all these simple questions that have been going around for months.
Enough blabbering. Cliff, the answer is the Mr. Moose Band, that became the Oh So Good Band after you left the band. I can't believe that Webmaster isn't even educated enough to take a stab at the answer. I see he got frustrated enough that he took the question off the board. It is time for the real long time fans to rise and let everyone know that we are out here watching the site. It is great by the way. I hope to see all you guys at a reunion down here one of these days.